Directed By Thurop Van Orman
Starring – Jason Sudeikis, Maya Rudolph, Bill Hader
The Plot – The flightless angry birds and the scheming green piggies take their beef to the next level when a new threat emerges that puts both Bird and Pig Island in danger.Red (Sudeikis), Chuck (Josh Gad), Bomb (Danny McBride), and Mighty Eagle (Peter Dinklage) recruit Chuck’s sister Silver (Rachel Bloom) and team up with pigs Leonard (Hader), his assistant Courtney (Awkwafina), and techpig Garry (Sterling K. Brown) to forge an unsteady truce and form an unlikely team to save their homes.
Rated PG for rude humor and sequences of action
– Animation improvements. As to where the vibrancy in color designs were equally as captivating in the original film, it’s really the dimensions given to character outlines, as well as the animator’s firm grip on landscape influence that makes this film stand out as visually superior. In particular, the action sequences feel far more impactful thanks to the detail in devastation that equals that of the rhythmic sound design. Likewise, the eye-popping arrival of the snowy mountainside offers a stark contrast to the sunny tropical climates we’ve grown used to from the franchise. This is certainly a beautiful triumph for Sony Animation, and it’s one that will hold the attention of its youthful audience, if only for the dazzle that comes with production experience.
– Consistently persistent. A film clocking in at 87 minutes is expected to be swift in its storytelling movements, but what works for “Angry Birds Movie 2” is that it constantly keeps the pressure on the movements of the conflicts and environments without it weighing heavily on the pacing of the scenes. There are problems I had with the disjointed nature of the continuity in scenes edited together, particularly during the second act, but never once can I say that I was bored by the film, and that’s almost entirely because, like its feathered flock, this one is always flying by, leaving little in the way of heavy exposition. The material encased isn’t exactly thought-provoking or poignant in deeper meaning, so the decision to keep it short, sweet, and directly to the point is one that I greatly appreciate.
– Charismatic cast. Much thanks goes to Saturday Night Live’s Lorne Michaels for having a much bigger hand than people think in the casting of this film. Jason Sudeikis, Bill Hader, Leslie Jones, Maya Rudolph, Pete Davidson, and Beck Bennett lead a cast of prime time players who each give their signature flare and raw tapped-in energy to a barrage of eclectic personalities who make up our group. Beyond the SNL crew, we get noteworthy turns as well from Josh Gad, Sterling K. Brown, Tiffany Haddish, Danny Mcbride, Peter Dinklage, and a birds debut from Awkwafina, who steals the show and screen time for the lessons instilled by her character that better materialize Red as the protagonist we’ve always needed. This talented cast goes well above the material, and really invest their all into the heartbeats of their respective characters, and in a collaboration world that recently just saw Dwayne Johnson and Jason Statham come together to save the world, the credibility associated with this film comically is second to none in 2019.
– Positive lessons. As is the case with any kids movie, this one summarizes its lessons in the material it conveys, and it’s clear that the intentions are easy to emit from the many scenarios that play out on-screen. “Angry Birds 2” harvests a message of teamwork, as well as a comfortable blanket of being yourself, and not worrying about the way other people see you. As is the case with Red, his newfound heroism is something that he is still learning to grow with, and because of such he allows this thought process to cloud his judgment when it comes to the friendships he has gained for the first time in his life. This gives the film a great continuance on the guidelines it set for opening up during the first movie, and teaches us that being a good person relies on so much more than being there for other people, it’s also being there for yourself.
– My favorite arc. I love that much of the film focuses on the psychology of Red’s moves while in control, and the way that his peers see him since the triumph of the closing moments of the first film. It gives the film an unusually heavy layer of subconscious that breathes alongside the storytelling in ways that allows the central protagonist to grow naturally from one film to the next. Because of the weak antagonist plot, which I will get to later, this more than anything felt like the sail that was steering the fragile masculinity of the character, and gave him a surprising amount of depth in the way that no other character even comes close to. I may not have a lot to say positively about this film, but Red is one of my favorite animated protagonists of 2019.
– One sided humor. Like the first film, many of the gags both audibly and visually in the film are geared towards youthful audiences, with very few moments of reprieve for the parents forced to tag along. Especially as is the case with kids movies today, there’s often a desire to please both sides of the coin, but “Angry Birds 2” isn’t clever enough to find the same kind of double meaning in its material to invite multiple age groups to pull something different from the joke, and it demeans it from having strong crossover appeal with those forced to take it in. For my money, I laughed twice in the film, and these certainly weren’t gut-busting blow-offs, but rather bombastic instances where the animation practically leaped off of the screen, and sold the lunacy of the situation better than the set-up ever could. In this regard, the moody crumudgeon Red of the first film gave me at least a few more giggles where I could relate for the similar personality that I possess.
– Weak antagonist. For about the first forty minutes of this film, it felt like there was no villain for the birds and pigs to go against, but out of nowhere, without properly navigating through this character’s backstory, she is turned and sold as the central conflict of the story, and given the tired destructive role that antagonists in kids movies are practically born with. Leslie Jones does a decent enough job emoting this character, but the screenplay couldn’t take a scene to build her on her own when the protagonists aren’t standing right next to her, and it signifies an already cluttered character list didn’t have enough time to properly build one more, and overall it gives much of the conflict dynamic within the film this underwhelming lack of urgency that ironically feels even more cliche’d despite not wasting half of the normal screen time on her.
– Outdated soundtrack. Another tired trope for kids movie is to market these top 40 dance tracks that are a few years too late by the time the film eventually drops, and make a sight gag out of them in lazy, uninspired manners of comedy for the purpose of selling downloads. The easy answer is that the typical animated movie takes 2-3 years to make, but the most familiar offender here, “Turn Down For What” by Lil Jon, is from 2013, giving its inclusion a salmonella level of shelf life that made me sick just from hearing its familiar initial notes. It embodies everything that is wrong with the Angry Birds name to begin with; a corporate manufactured product with the only intention being to sell downloads.
– Too much borrowing. There’s nothing original about “Angry Birds 2”, and what’s even worse? it shares writers with the very films it lifts its material from. Peter Ackerman, who penned many of the Ice Age movies, brings along hijinks scenarios where everything around the characters goes wrong far beyond their control…..similar to Scrat in “Ice Age”. Beyond this, the whole mission itself, from tonal capacity to event outlines, serves as a discount version of “Despicable Me 3”, a film that was easily the weakest of that respective franchise. Finally, how many animated movies have a peaceful group led by a hero, who then comes across a new-and-improved character, which then makes the former feel alienated from the power he has attained? It’s like preserving chewed-up meat, and then throwing it on the grill to hope it will sizzle. It doesn’t, and it leaves this film every bit as uninspiring as it does predictable.
– Pointless padding. Towards the end of the second act, there’s a subplot introduced involving the finding of three eggs that some of the supporting characters try to hunt down. Not only does this not hold any weight within the confines of the central conflict, but its conclusion essentially holds no weight or bearing on the closing moments of the picture. This makes it feel like an obvious device for getting the run time to the desired minimum, and what’s even more confusing is that it should’ve been used to better accommodate the fumbled antagonist focus, which as I mentioned earlier is virtually non-existent throughout the first half of the film.
My Grade: 5/10 or D+