Directed By Rob Letterman
Starring – Ryan Reynolds, Justice Smith, Kathryn Newton
The Plot – The story begins when ace detective Harry Goodman (Paul Kitson) goes mysteriously missing, prompting his 21-year-old son Tim (Smith) to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, Detective Pikachu (Reynolds): a hilariously wise-cracking, adorable super-sleuth who is a puzzlement even to himself. Finding that they are uniquely equipped to communicate with one another, Tim and Pikachu join forces on a thrilling adventure to unravel the tangled mystery. Chasing clues together through the neon-lit streets of Ryme City, a sprawling, modern metropolis where humans and Pokémon live side by side in a hyper-realistic live-action world–they encounter a diverse cast of Pokémon characters and uncover a shocking plot that could destroy this peaceful co-existence and threaten the whole Pokémon universe.
Rated PG for action/peril, some rude and suggestive humor, and thematic elements.
– Easily the most accessible of the Pokemon films. In straying a bit from its conventional roots, “Detective Pikachu” is able to accommodate to a bigger audience, all the while remaining faithful to its world building and rules that have garnered legions of faithful followers for many generations. If you want to see a typical Pokemon movie, there are thousands of those, but putting its familiar furry protagonist in a noir mystery that touches on some surprisingly dark territory in material, gives the franchise new life on screen and in direction, which will inevitably make it all the more adaptable for audiences like myself, who have never been struck by the Pokemon lore. This isn’t the first Pokemon film that I’ve ever seen, but it is the first one that had me leaving the theater with an unshakably positive feeling, all the while solidifying my iron-clad views towards the importance of family, that the film takes with it throughout.
– Sparkling special effects. Pay attention Sonic, this is how you seamlessly immerse an obviously computer generated property into a live action background, without alienating the texture of color that lacks believability. Every design here is perfectly rendered and exceptionally detailed, illustrating the very fur and facial movements of the Pokemon creatures with an air of consistency that you rarely see in live action computer-generated kids movies. Likewise, the artificial destruction of some pretty intense and heavy action set pieces rumble the screen in ways that make them inescapable from what is transpiring, cementing a beautifully vibrant transition from animated movies that never leave much to the imagination in terms of what it loses in the transfer. If more live action transformations looked like this, I would gladly welcome the string of video game movies that will inevitably leave me braindead from, among other things, phony post production effects work.
– Cohesively juggling tones. What really surprised me about the movie was how it managed to evolve into this drama during pivotal scenes of emotional wrangling. Aside from the opening fifteen minutes, which feel like they set the ground wonderfully for a revenge narrative, the beginning of the film’s final act constructs a conflict within Pikachu, as well as one with Tim that is anything but the typical third act distancing we’ve come to know. Instead, it’s more about the discovery of the role that Pikachu plays in this progressing mystery, establishing a series of twists that add a fine combination of intrigue for the character’s, as well as a somber atmosphere of tension that adapts to being much more than a lazy comedy. With this film having such a resting backbone on the values of family and friendship, and how those aspects tie together perfectly sometimes, it makes this a recommend for the whole family, remembering to instill the profoundly powerful gut-punch literally moments before they walk out of the theater.
– Ryan Reynolds. Simply put, there is nothing that this man can’t do. While Ryan’s familiar vocal tones never experiment with stretching or tweeking to make them sound different, it’s Ryan’s timely delivery and enthusiastic energy in dangerous situations that made him the focus for audiences well beyond being the title character. When Pikachu is at his most vulnerable, which is roughly 80% of the movie, Ryan delivers his best stuff, emoting a cowardice side of the familiar hero, which certainly casts him in newly hilarious light than I’ve ever seen. His influence is felt so much that in the rare occasion when Pikachu isn’t on-screen, that the movie immediately loses the air of momentum that it builds each time his unshakeable sarcasm and endless wit isn’t there to enhance the interaction of his live action counterparts, and it’s one of those performances that will make it difficult to shake free from his voice, every time you watch a Pokemon movie from this point forward.
– The setting. Ryme City is about as cool a place that I’ve seen in cinema since “Blade Runner”, and it’s clear in the details how the current pays a respectable homage to the previous. The neon lights adorned on sky-scraping signs reflect beautifully on the rain-soaked concrete, and the assortment of opportunity-seeking businesses gives a lived-in feeling to capitalism that ranges even in the locations that feel planets away from our own. It juggles this strange juxtaposition, where the technology feels decades ahead of our own, but the similarities in balance for power and current business time fashions gives it a searing reality not far from where we currently stand. Overall, it gives the location a timeless feeling, which in turn will allow it to age gracefully as the years pass by.
– Easter Egg reference. This is about as unexpected as you can get for a hidden Easter Egg, but I tip my hat for a lengthy amount of time, for the way this film managed to include a reference to my favorite Christmas movie of all time. Even more incredible is that this reference within a reference was created especially for that Christmas movie, so the use of its inclusion is obviously an homage to this movie, and plays incredibly for how it plays simultaneously with the crime noir narrative that is playing out before our very eyes in Ryme City. Despite that movie and this one feeling legions apart in terms of similarities, the way it is inserted is every bit as clever as it is commanding of the attention of moviegoers for the way it practically takes over the scene right from our actors in frame.
– Exposition heavy dialogue. Sometimes the spring of knowledge feels as forced as a screenplay can make evident, and it stood as the one aspect (Especially during the first act) that weighed this movie down heavily in my final grade. When a new Pokemon comes on-screen, the film almost stops in its tracks to tell us who they are and what power they possess, and while it doesn’t conjure up the cliche of showing a visual stat-sheet like some films do, the overabundance of long-winded delivery isn’t far off either. I can understand teaching audiences about the character’s and backstories accordingly, but when a scene with an amazing actor (Ken Watanabe) is only there to serve a purpose for Tim, you have to wonder if there were easier and more believable ways to introduce this knowledge without the smell of obviousness dimming the potential of said scene, and it happened more times than I would’ve liked.
– Painful human character’s. There’s no one in “Detective Pikachu” who I related to on a personal level, and that’s a shame considering much of this story’s hidden narrative deals with you indulging and empathizing with these people and their newfound tragedies, and it rendered much of the impact of devastation that much more ambiguous because I couldn’t allow myself to fully invest in their bland personalities. Speaking of which, Smith’s Tim is a sludgy sap of moping reality, and his interaction with Newton romantically felt as cold as arctic temperatures, and about as forced as a spontaneous colonic volcano. The screenplay isn’t interested in developing them individually, so it builds them together in-tow, and as far as lead character’s go, these two aren’t nearly charming or confident in their abilities to get across the magic in their bumbling personas.
– Comedy power. While Reynolds makes miracles out of mirages, the overall landing power of the comedy in this film left slightly more to be desired, especially considering we’ve seen Reynolds at his rudest, in the R-rated duo of the “Deadpool” franchise. For this being a PG movie, it’s clear that PG restrictions were taken, and even despite Reynolds hinting at more adult material from time to time, the film’s firepower remains mostly grounded for what we expect from kids movies that demean their intelligence with sounds and flatulence humor. Aside from this, the film commits the crime of showcasing its best material in the trailer, leaving very little of surprise or payoff in the way of what remains. So if you watched this trailer and weren’t sold on the material, the movie itself won’t provide much other relief in that department.
– Problems with the mystery aspect. There are many here, and unfortunately they are made the more evident the longer the film goes on. The answer is predictable, the interrogations in dialogue and sequencing are repetitive, the plot holes in some aspects are glaring, and there’s simply not enough of a struggle for Tim and Pikachu in solving this case. Most of the latter problem deals with a 95 minute run time, which could use another ten minutes to help stretch the dynamic associated with team thinktank’s to illustrate how thick this mystery really is. The quicker they figure everything out, the more painful it is for the power of the mystery itself, and more alluding to this being a kids-first movie that will do no favors for adults in preserving anything mysterious. For my money, they could’ve targeted somewhere in between these age groups to offer something cryptic to both sides, but unfortunately the youth will get more out of these twists that are visible from a mile away.
My Grade: 6/10 or C