Directed by Malcolm D. Lee
Starring – Kevin Hart, Tiffany Haddish, Taran Killiam
The Plot – A group of troublemakers are forced to attend night school in hope that they’ll pass the GED exam to finish high school. One of these is Teddy (Hart), who requires a GED to attain a high paying job. Standing in his way is a brash teacher (Haddish) who will teach him much more than reading, writing, and arithmetic.
Rated PG-13 for crude and sexual content throughout, adult language, some drug references and violence
– An unsung hero? In the battle of Hart versus Haddish, it’s surprisingly Keith David, who plays Hart’s ashamed father in the movie, who comes out on top. David plays easily my favorite character of the film, and he only needed three scenes to showcase why he is a national treasure. David’s brand of humor doesn’t feel desperate or insincere, relying more on earnest, blunt deliveries to get his point across time and time again, and man does it ever work.
– One surprise. Thankfully, the film doesn’t force Hart and Haddish’s characters together, like it feels like the film tries to do repeatedly in the first two acts of the film. In going this route, it allows each of them ample time to showcase their signature styles without one feeling like a prophet for the other. While the material is extremely underwritten, this decision was one that I commend the film greatly for, in keeping the relationship between student and teacher purely platonic.
– Once in a while, a film will come along that sells a fictional brand of food or product to the audience, and it gets me yearning for more, and that’s clearly Christ Chicken in ‘Night School’. Sadly, we only get one look inside of the restaurant itself, but it leaves the door open for brilliance in satirical products that I wish were real. I won’t spoil the names used here for drinks or dishes, but I will say that it’s easy to think how every ounce of creativity was invested in this arc (See what I did there?)
– Way too long. 106 minutes might not seem that bad on the surface, but Lee’s film drags to mental subconscious as a result of two things. The first is this film having two third acts. To anyone who knows the basics about scripts, the third act is always the conflict, and with this film there are two such instances for the trials that Hart’s character must endure. In addition to this, the improv level of a Kevin Hart film is once again the angle that terribly weighs the humor level of this film down. Scenes are prolonged and film spent to witness Hart and Haddish bounce off of each other in the most juvenile of offerings, and about thirty minutes into the film you’ve already captured everything that either of them have to offer.
– Amateur A.D.R. Not only is the voice renderings in this film bad, but they serve as a crash course for future sound mixers of what not to do in a major motion picture. Nothing about these dubbings feel remotely believable in their abnormal spikes in volume, nor do they match up visually with the mouth movements that supposedly mirror deliveries. Because this film is PG-13, there is also multiple occasions when a curse word is jarringly removed from the scene, in favor of an adolescent replacement that only proves how watered down this film truly is.
– The most morally shallow movie of 2018. In providing Hart’s character with something as serious as Attention Deficit Disorder, the film has the possibility of covering some pretty deep psychological stingers for people who suffer from the limiting disease, but unfortunately this film would rather remove anything meaningful for more slapstick skids that are every bit offensive as they are unnecessary. So since Hart’s character has A.D.D, what is the way that Haddish gets through to him? Why, by beating the shit out of him repeatedly, that’s how. Teachers are taking notes as we speak.
– Much of the reason the comedy doesn’t work for me is how desperate it feels in trying to cover every end of the tasteless humor spectrum, and striking out every single time. There are some brief laughs, but it’s mostly from Hart and Haddish’s usual schtick that we’ve already seen a hundred times, that never progresses or elevates itself. Then there’s the desire to paint some scenes with some truly gross-out humor that feels beneath even a Kevin Hart movie. For a film revolving around school, this one flunks early and often, conjuring up a grade of incomplete for the lack of effort that went into it.
– What is with the editing? I take back saying that I never laughed in this film, because the editing capabilities in this film are of the B-movie grade variety. How did this happen to a film that is going to be seen by so many eyes? The editing in the film ends scenes prematurely, as well as repeats cuts to make sure the audience is paying attention. There is one scene where Romany Malco repeats the same line three different times in the same scene. This wouldn’t be a problem if it wasn’t quite literally the same take played three different times for three different reactions. If lazy had an award, this one would close out the show. Truly jaw-dropping for all the wrong reasons.
– No evidence of effort. Besides the fact that Kevin once again plays his character in high school, stretching the boundaries of believability into submission, there are many more instances of why the production feels so uninspired and problematic. One scene has Hart’s character literally blowing up his workplace in the fakest, most hollow, C.G explosion of all time, yet Kevin doesn’t have a single scratch on him. There’s also the product that this film tries to sell, in which it shows one student failing the test no fewer than six times, yet still is able to graduate with their class when they finally do pass. I guess when you fail night school, you don’t have to take the class over again, just the test.
– Easily the most forgettable of Hart’s movie career. This film isn’t just bad for all of the reasons listed above, but there isn’t a single instance in the script that I can point to where I would ever match and compare it to one of his better films. This proves just how little works with ‘Night School’, in that no single scene is ever reputable enough to con someone into watching it. Even as I wrote this review, I had great difficulty remembering the aspects of the film that I liked and hated.