Directed by Stephen Susco
Starring – Colin Woodell, Betty Gabriel, Chelsea Alden
The Plot – Tells the story about a teen who comes into possession of a new laptop and finds that it may have been stolen. He discovers the previous owner may be watching every move he makes and will do anything to get it back.
Rated R for some disturbing violence, adult language and sexual references
– Even if it’s unintentional, this film has no shortage of laughs for people who get their kicks off of terrible horror movies. It’s all thanks to a combination of poor amateur acting that is void of any human emotion, and pee brain stupidity in decision making that will have you slapping your head in embarassment.
– There is at least some production value for this sequel, as opposed to the original movie that ultimately forgot it was a feature film. I understand that authenticity is what we’re going for in a movie about adults communicating VIA Skype, but I would rather the production grant me the kind of audio enhancements and clarity of on-screen texting that this sequel granted me.
– This film’s antagonist makes the demon from the original movie seem logical by comparison. There are so many instances that I could point to, but some of my favorites include being able to wipe away texts that have already been sent, being able to hack an I.V machine, and having this pixelated cloud follow them whenever they move in and out of frame. At this point, I wait for the third film to feature flying unicorns and pixie dust that help grow razorblade butterflies. The first movie had a vilain who you could at least empathize with, for the way she was bullied to suicide, but the villain in this film lacks any kind of drive to make them remotely as compelling.
– The editing in this movie is so bad, it feels like two movies being pasted together. During the Skype video calls, characters are muted on and off throughout. But if you’re paying close attention, you can see the continuity in their movements to not match where they were in frame a second prior. It’s like the producers didn’t care enough to try and replicate a long-running phone call, instead using these harsh cuts in between takes, and never easing them between transitions.
– Most of the first hour of this movie flies by like the wind, and while that would normally be a positive, it does little favors in establishing just how far we’ve come in this film. Nobody dies in the film until there’s 25 minutes left, and even worse than that, the death scenes are done in such a way that lacks clarity and impact for our satisfaction. Watching characters you hate get killed off is a national past time, and ‘Unfriended: Dark Web’ has taken even that little bit of fun from our plates and replaced it with Simpsons style gruel.
– How dumb are these characters? Well, the movie should’ve ended at around the 15 minute mark, when the main character was supposed to give this stolen laptop back. Why didn’t he? It’s never explained. One second he’s on his way out to meet this mysterious figure and give it back to him, and the next he’s back at the computer screen like nothing ever happened. The price of resolution is seriously that easy.
– Speaking of characters, there really aren’t any. Sure, there’s a cast, but actual characters? Not really. It’s like the screenwriter told them the stereotype of the characters that they are supposed to be playing, and let them improvise from there. Many rub together because of how little exposition is derived from them, and none of them are remotely interesting in the minimalist of ways. At least in the first film, there was that tension in hidden secrets that each member of the group kept from each other, but none of that here to give us something to look forward to.
– Wi-fi horror cliches. Even if the film’s frames come in the form of on-screen computer surfing, that doesn’t mean the producers wouldn’t work in tired jump scares to feed the frenzy of dumb teenagers who don’t understand what makes a good scare. Audio enhancements in terms of pounding sounds when the entity texts them, as well as frames dropping per second, just so a person can pop up next to someone on camera, are just some of the examples that this film sticks to an overdone format, instead of creating anything of originality for itself.
– Bigger message missing. As to where the original movie spoke volumes to our dependency upon social networking, ‘Dark Web’ has nothing in the way of underlying social issues to punch back a poignant approach to its cinema and drive such a meaning home for audiences alike. Instead, this feels from bell-to-bell like just another horror movie, and one whose only connection to the previous film is that of a laptop and a group of friends. That’s it.
– Frustration in repetition. The main guy in this film is dating a woman who is deaf. Along the way, he creates a program that allows her to read his sign language. Midway through the film, this program glitches up, so she has no communication from him. None that is except the Facebook messenger that he has been using all night. He stops typing her in this way for absolutely no reason what so ever, instead I guess so the film can draw out those long scenes of tension when he is trying to alert her to what’s coming. If you’re in person with her, that’s one thing, but if you’re online, she can read texts just like anyone else, so why even waste your time with this program that takes even longer to communicate?