Directed by Michael Mason
Starring – David A.R. White, John Corbett, Shane Harper
The Plot – A church destroyed. A congregation silenced. A relationship shattered. Yet even in life’s darkest valleys, a small flame can light the way toward healing and hope. After a deadly fire rips through St. James Church, Hadleigh University leaders use the tragedy to push the congregation off campus, forcing the church to defend its rights and bringing together estranged brothers for a reunion that opens old wounds and forces them to address the issues that pulled them apart.
Rated PG for thematic elements including some violence and suggestive material
– Corbett is the character that someone like me, who has sat through three of these films, deserves. Besides the fact that this guy should obviously be our main protagonist for his own battle with how he sees Christ, much praise can be given to John’s performance for the way he not only makes everyone else’s roles around him stronger by comparison, but also the entirety of the film’s personality that he eats up in spades.
– By comparison, this is easily the least off-the-rocker ‘God’s Not Dead’ of the entire series. While overall not a success none the less, the film finally feels able to define itself without being overly insensitive to those who don’t kneel before it.
– There’s a surprisingly responsible touch taken here that reveals the blame of miscommunication might be on both sides. This not only proves how much this film series has grown as a whole, but also allows someone like me an open arms approach to give this one a clean slate.
– This film’s idea of symbolism is held entirely in its cringing lighting scheme. The protagonists are blessed with sunlight beaming around them in the holy halls, and the antagonists (If you can call them that) are often surrounded by darkness or red luminous lighting to signify the negative influences in their lives.
– As usual with the series, there is no shortage of characters and subplots that creates a convoluted sense of pacing within the film. One subplot involving a young woman’s spiritual outcry is ignored almost entirely until the final act, when it felt like from the beginning that this would play a prominent role in the story. Because the focus is never where it should be, much of the movie lacks a gaining of momentum.
– It’s amazing how the atheists in these films are always presented in the light of ruthless vandals whose soul motivation is to wipe religion from their counterparts. News Flash – Most atheists don’t care if you believe in Dr. Mario. Live your life and stop worrying about the other side.
– There’s no secrets about it, this film isn’t exactly what you would call subtle. Much of its focus in diatribe is aimed at the media, social platforms, and the long-going battle between church and state. As a measure of on-going clumsy exposition, we are treated to obnoxious CNN types who broadcast on channel WARC. Because I guess W-ARK would be too obvious??
– The film seems to have a strange idea of how murder is tried. Whether accidental or meditated, a trial will still be brought forward regardless if the key witness drops his charges. There’s this thing called Involuntary Manslaughter that the state has no reservations about bringing forth, so be careful who you frame because accusations don’t just magically go away because you forgive the person responsible.
– This is White’s 3rd appearance in this franchise, but first as the soul starring role, and it’s clear from the start that he should’ve been left as a supporting cast. Much of White’s line reads leave more to be desired in the believability department, but it’s in his stone cold and undercooked chemistry with his on-screen romantic interest (Played by Jennifer Taylor) that feels like time is standing still in all the worst ways. White’s squeaky clean persona voids the film of the edginess required in seeing a man of faith standing on his last leg against a community that shuns him.
– Much of the beginning of this movie deals with the state’s forceful attitude to see Pastor Dave’s sermons on paper, yet this subplot is never brought up again. Even the ending feels like it completely forgets this stance, choosing instead to indulge in bringing the masses together and put off this inevitable trouble that will always be with him. Sloppy.