Early Man

Directed by Nick Park

Starring – Tom Hiddleston, Maisie Williams, Eddie Redmayne

The Plot – Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, Early Man tells the story of Dug (Redmayne), along with sidekick Hognob as they unite his tribe against a mighty enemy Lord Nooth (Hiddleston) and his Bronze Age City to save their home.

Rated PG for some rude humor and scenes of action


– Steller animation yet again by Aardman Animations. The use of authentic backdrop properties in trees and rocks blends colorfully with that of the claymation characters and their stopmotion animation. In addition, the characters themselves illustrate the evolution between neanderthal and the next step smoothly, leaving enough evidence in physical features between the two sides (Big teeth, misshaped heads) to bridge the gap.

– Immersive vocal performances that engulf our A-list cast whole. I’ve always said that the best animated performances are the ones that make you forget who is vocalizing them, and the trio of leads here nail that in spades. The best for me is definitely Hiddleston’s indistinguishable gangly turn as the evil Lord Nooth.

– At 79 minutes, this is as harmless of a sit as you’re going to encounter this weekend. The pacing never drags or stalls through its narrative, keeping the attention of its audience without having to trim the fat of needless time filler.

– There is a kind of tragic element hanging over the heads of these characters that goes far beyond the conflict of this film. Despite the outcome of this soccer game, we all know the progression from the Stone Age, and that hint of inevitable doom is one that brought an unintentional dramatic layer to what I was watching.

– The observational humor is definitely the winner in the battle with the dialogue, penetrating with enough visual sight gags to throw us a bone of subversive for the adults in the audience, once in a while.

– I’m always one to lend kudos to a screenplay that introduces a prominent female character and doesn’t make her the love interest of anyone in the film. ‘Early Man’ follows this lead, giving little girls an inspiration not only to play sports, but also in carving out just how important she was to the conclusion of the picture.


– As to where the observational grants more hits than misses, the dialogue itself in the movie is slightly too authentic of its neanderthal foundation. With the exception of a few generous giggles, I found much of the material in the film to be very underwhelming for Aardman and the kind of tummy-ticklers we’re used to leaving the theater with. It’s unusual that this material won’t really cater to adults or kids with confidence.

– The whole film builds to this soccer match that is nothing more than a series of montage sequences in a race to the finish line. Believe me when I say that every shot in this game is to showcase when a team scores, and that’s a bummer because there’s never any inspiring instances when this game can break away from the cliches of previous sports films that have already outlined what we are going to see.

– I’m sure it’s ridiculous to complain about historical accuracy in a film where the pig is the smartest character, but I still wonder why things like toilet paper, speakers, and even a one hundred foot duck are all present in a film that takes place during the Stone Age.

– There is absolutely zero character exposition here. Each and every character runs together, and can’t be dissected any differently than labeling them “Main character” or “Female character”. If a film lacks characters that you feel empathetic towards, a plot about them losing their home won’t have much tug towards your heartstrings.


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