Pitches of the world unite for one final tour that will send the Bella’s on their respective paths to adulthood for good. In ‘Pitch Perfect 3’, after the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren’t job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions that will make or break them, one last time. Along the way, they will meet an array of talented musicians from across the globe who will rival them once more to wonder if they can bring the thunder for the performance of a lifetime. ‘Pitch Perfect 3’ is directed by Trish Sie, and is rated PG-13 for crude and sexual content, adult language, and some action sequences.
I think it’s safe to say that this series has officially jumped the shark. In its third and (as of right now) final chapter in the series, the Pitch Perfect franchise has betrayed what it was known as before, in all of the musical muster and comedy hijinks that they could get themselves into, by adding an unnecessary and unfitting level of action thrills to this series that is anything but. This gives the film an overwhelming lack of confidence within itself to remain true to what (frankly) got it through two films. I am someone who has been half and half with this series up to this point. The first film was a lot of fun, shedding light to a side of college career paths that don’t often get the exposure. The second film added very little to the franchise because of how much it took from its original and better predecessor. Then comes ‘Pitch Perfect 3’, a film that is once again completely unnecessary and only has leverage to lose in what it offers to its faithful audience. As it turns out, that is very little. ‘Pitch Perfect 3’ falls flat on the series closing efforts, cementing a thought process that this series should’ve easily been left at one.
Right away, we are presented with a set-up in execution that makes about as much sense as the mind will allow. The USO has decided to not only bring this college acapella group that no one outside of the college knows about, but also in four other groups that are so well known that they must perform famous musician’s songs in getting over. Who knew that the USO were so cheap? I mean, it’s my thought process that can’t overlook the idea that if these groups are singing a Lenny Kravitz song, why not just bring over Lenny Kravitz to perform for our men and women who are defending our freedoms? Beyond this, the film has a subplot that is completely out of left field with Amy’s father (Played by John Lithgow) coming back into her life with some secrets of his own. It is in this angle where we not only learn that Amy’s family has been involved in some dark details, but that Amy herself is a well-trained martial artist who can flip and kick her way through any adversity. Where did this come from? This once sweet and soft side series now feels miles away from where it ends up in this jumbled plot that is all over the place thematically. I’m all for adding something additional to play off of the music that will always be there, but the additions here don’t work from any level of consistency in bridging the gap between films.
The humor usually misses more than hits, mainly from Amy’s low-brow humor that outlines a terribly nasty person inside who stops at nothing to cut down everyone around her, but I did notice one direction out of left field that could’ve saved this film overall and offered a refreshing take for the series had they exploited it more. That angle is in the satire of the series that even the most vital of protagonists are poking fun at, in this stage. This definitely isn’t a film that takes itself too seriously, despite the compromising shifts from action sequences that totally feel out of place on every possible level. There are on-going angles involving the unlimited number of Bella’s, the few of which never get any screen time. There’s also a reflection of their first act battles with other groups that always ends with them losing. These familiar roads for fans will have them fighting back laughs in the very predictable-without-being-stale roads that this trilogy has taken, and prove that these women are strong enough to take a joke even at the heart of its own structure. Unfortunately, the film doesn’t exploit this blessing from the gods enough, and the majority of its material surges on the same undercooked material that we have seen for going on five hours now in this series as a whole.
Thankfully, the music selections and performance numbers still offer an air of creativity that pushes them further than this being just another karaoke contest. Part of the reason that you watch these films is to see the unorthodox spin that the movie takes on current top 40 hits and even classic rock-n-roll favorites that offer something for everyone. In addition to the Bella’s singing, they also beatbox their way in some truly clever instances that never require instruments in getting their performances over. If this isn’t enough however, the groups that challenge the Bella’s bring everything from guitars to a fiddle in presenting the widest example of musical versatility that has ever hit this series. If I had one critique for the performances, it was in the underwhelming sound mixing that offered a wall of disbelief to their lip-synching. There are several scenes during the film in which we see the mouths of our ladies moving, but there’s no microphone in front of them. So how are we hearing them crystal clear over mountains of thunderous music that echoes around them? Negatives like this are so easy to fix that it’s baffling, but it reminds me time-and-time-again the kind of lack in focus and phoning it in that this series has become saddled with.
As for characters and performances, the main characters stand-out again, leaving very little wiggle room for the supporting cast that are table dressing for the main course. Kendrick is again fit as a fiddle for her leading role, but there’s an ambiance of this being a paycheck film for her that overrides the lack of energy within her performance. Not that the miniscule direction gives her much help along the way, but Kendrick’s often dependable stride feels like the biggest mourning in terms of the biggest changes here from film to film, and it’s a task in replacing that the film never truly fills. If I had to pick a favorite, I would say Brittany Snow’s Chloe is arguably the most improved player, juggling this air of inevitability with her group as well as a budding romance with a soldier that gives her reason again to shine in the light. As I mentioned before, Rebel Wilson’s Amy is truly awful and filled me with anger every time her shallow character filled the screen. She would be the worst character in a normal movie, but here Elizabeth Banks and John Michael Higgins are happy to cast the expectations even lower. Why are these two even in this film? Their characters are there to make a documentary that no one is ever going to see, and in it they continuously mock and tear down the Bella’s self-esteem. They are like Waldorf and Stadler from The Muppets, but without any of the class or reasoning that comes with their inclusion. Every time the film cuts to them, you know what’s coming, so it just creates another speed bump on the progression through this brief 89 minute script that needs more anchor from its confident cast.
THE VERDICT – ‘Pitch Perfect 3’ is the sequel that no one asked for, and worse yet earned very little in surprises to justify its existence. This is one swan song that goes out on the lowest of low notes disappointingly, and the tonal switch in genre form compromises every noble ideal of learning to thrive by being yourself that the series has harvested to this point. If Sie’s blunder is a stage-show, it’s one that plays for far too long, with one too many encores that send the audience home exhausted instead of exhilarated.