The former Vice President of America is back at it again, this time with dire urgency for his cause riding high amongst a new naive president. ‘An Inconvenient Sequel: Truth to Power’ takes place more than A decade after ‘An Inconvenient Truth’ brought climate change into the heart of popular culture in 2006. In this riveting and educational follow-up that shows just how close we are to a real energy revolution, Vice President Al Gore continues his tireless fight, traveling around the world training an army of climate champions and influencing about international climate policy. With the elected four year incoming of president Donald Trump, Cameras follow him behind the scenes in moments private and public, funny and poignant, as he pursues the empowering notion that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion. ‘An Inconvenient Sequel: Truth to Power’ is directed by the team of Jon Shenk and Bonni Cohen, and is rated PG for thematic elements and some troubling images.
Whether you like or dislike Al Gore and everything that he stands for politically, you must applaud the man for taking such a general interest in standing up for the well being of our planet when no one else will. In ‘An Inconvenient Sequel: Truth To Power’, Gore continues that march with a 95 minute lecture on where we as a society have advanced or decreased in progress over the last decade when it comes to solar energy, climate change, and overall infrastructure for those countries not as fortunate as the bigger ones when it comes to spending. I myself did enjoy the first film, and found this one to be an equally insightful piece, despite some problems with the structure of the documentary that definitely peaked out some less than honorable intentions creatively with where the film’s material should be firmly planted. For anyone who hasn’t seen the first film, nor knows much about overall climate change, this movie will be A competent enough companion piece to opening your eyes for the first time about the urgency of time running out with each passing year. A fact that Gore himself narrates passionately throughout the picture in an unapologetic front.
As a host, Gore certainly feels like the right man for the job. Since losing the 2000 presidential election, Al has taken a stance in witnessing first-hand the kinds of problems shaping our world that other political figures have turned a blind eye to. Over the course of this picture, his narration, shaped with some exceptional editing work behind the lens, details in full the kind of warning signs that are plaguing our world if we refuse to act quickly, and it certainly feels effective coming from someone who not only spoke at a few conferences over those ten years documented in the film, but also wasn’t afraid to get his hands dirty in searching out the truths of these problems first hand on land. My only problem with Gore as a figure is that the documentary itself might be better fleshed out if it spoke to the audience through just voice narration, and not so much visual narration because it can at times feel slightly distracting when the film pauses its progress to document several pieces of Gore’s history as a political figure, and current day patron to those with a similar cause. Quite too often, the film kind of becomes The Al Gore Show, and that’s fine from a man with so much passion for the causes, but If I wanted to watch an informative documentary on the 43rd Vice President of the United States, I would seek one out first hand.
I did mention briefly that the technical work of this picture definitely does a service to understanding and captivating the mind-sets of everyone watching at home, and the overall aesthetic work feels very rich for a documentary presentation. The camera angles used in capturing the polar icecaps melting effects, as well as the historical stock footage from landscapes like India, Africa, and even Miami, Florida who have all been ravaged by free-flowing water, serves a greater purpose in supporting fact in a visual capacity, and it couldn’t be put together any more impactful than that. Also, the musical score from composer Jeff Beal certainly adds an element of impending doom to go hand-in-hand with Gore’s lectures, while channeling the ominous tones of an epic disaster flick that really feeds into A ‘life imitating art’ kind of feel. Typically I review around ten documentaries a year, and while this one isn’t the best overall, I can tell you that it is an early favorite for technical mastery of that particular field. For sight and sound, you couldn’t ask for A better experience that (like our own world’s shifting) never stops moving around us.
As an independent voter, one of the jobs that I take seriously as a film reviewer with films like these are if they cater into a political party’s agenda, and with that I give you the single biggest sting that this movie’s final grade will take on its audience. If you’re Democrat, you won’t feel a thing, but for the rest of us there’s the obvious dropping of responsibility method that Gore pokes and prods at with the sensitivity of an electric eel. How do I determine it propaganda? Well, the film has no qualms about singling out presidents Bush Jr and Trump for their roles in ignoring policy that could otherwise save some of these disaster problems, but then completely ignores president Obama entirely for what role he played during these events. Considering the disasters that this film captures are over the last ten years, and Obama was president for eight of those ten, it lacks the responsibility of pushing the envelope further in asking the kinds of questions where that Democratic president was when the Indian people were being rushed from their homes after terrifying tsunamis. To hammer this home, there’s even a message in the closing credits to vote smart, an ideal that doesn’t really need a reminder in this kind of film. Speaking of pushing the envelope, the film doesn’t present a countering side to all of the ground work that Gore is laying out. During the third act, we’re shown a big city in Texas who has gone 100% Renewable energy, but the question remains why other cities haven’t leached onto this method. I feel like the film drops the ball immensely in provocative journalism, leaving us all with only one side of the renewable argument. Even if the answer is as simple as companies lining their pockets with cash, that side deserves to be exposed, but directors Shenk and Cohen are a bit too clean cut to tug at that tempting string, even if it is the best thing for the direction of the film.
THE VERDICT – ‘An Inconvenient Sequel’ isn’t inconvenient, it’s just simply ignorant of the entire opposing argument that it only hints at in the shadows. This sequel is effective enough in providing the material through haunting imagery, as well as mind-stirring facts, but lacks the grave urgency of the Academy Award winning first film that sealed up all of the angles without getting its hands dirty in the political spectrum. There’s plenty to enjoy about Shenk and Cohen’s informative piece from an awakening perspective, and if you are part of this cause it is definitely a must see, just expect the material of the planet as well as the political.