Directed By Joe Cornish
Starring – Rebecca Ferguson, Louis Ashbourne Serkis, Patrick Stewart
The Plot – Old school magic meets the modern world in this epic adventure. Alex (Serkis) thinks he’s just another nobody, until he stumbles upon the mythical sword in the stone, Excalibur. Now, he must unite his friends and enemies into a band of knights and, together with the legendary wizard Merlin (Stewart), take on the wicked enchantress Morgana (Ferguson). With the future at stake, Alex must become the great leader he never dreamed he could be.
Rated PG for fantasy action violence, scary images, thematic elements including some bullying, and adult language
– Respects the source material. Any time you make a modern day adaptation to something of historical significance, the translation is usually less than stellar. However, what is sure to surprise a few people is that this film is actually a sequel to the Merlin saga we’ve come to understand, therefore it still abides by the same rules and history that we’ve come to enjoy. In addition to this, the film does successfully serve as a welcoming introduction to anyone who doesn’t know a lot about the ages old folk tale, taking valued screen time not only in filling us in about these character’s defining conflicts, but also in the traveled road of the sword itself, which gives whoever holds it a preservation of power that helps bring along their transformation.
– The modern spin. I loved how the very outline of the story, characters, and moments from the tale are translated in a way that makes them feel relatable to modern times. I won’t spoil much, but take for instance Alex’s estranged father, who we’re told heroically fought off many demons in his life before he was able to be an influence in Alex’s life. However, as we come to learn, demons in this context represent personal demons, and the man was anything but heroic because of such. It’s things like these that really gave the film a clever backbone of creativity, all the while grounding the fairy tale in the kind of realities that tell the audience this is anything but make believe. Likewise, the decision to not date this film numerically is one that keeps it from feeling dated, all the while harvesting an air of familiarity to our own world with how the movie frequently highlights the world feeling worse than ever before because of its leaders. I’d make an America joke here, but frankly I’m too depressed.
– Fresh faced cast that I couldn’t get enough of. I didn’t recognize a single one of the five youths that make up these new knights of the round table, but each of them have bright futures ahead because of the way their confidence harvests in each of their performances. For my money, the show-stealers are Serkis (Andy’s son) as the title character, and especially Angus Imrie as young Merlin. Serkis shows a ton of dramatic depth to the unveiling psychological fragility of his character, and Imrie rivets with a combination of finely-timed comedy and energetic hand movements that lead to beneficial spells. Both of them are stars in the making, and captivate the attention of every scene of long-winded dialogue delivery that hints that this film is the first step in bigger, bolder careers.
– Rides the waves of tonal change smoothly. I was expecting a comedy after seeing the trailers for this film, and for the most part that is correct. What surprised me however, was the consistency of each joke landing for a kids movie. Especially during the first act, when the lunacy of this legendary sword shows up for some hilariously awkward situations. In addition to the humor however, the film succeeds in adventure, science fiction, and especially drama, harvesting some gut-punch scenes of character development once the truth comes to light. A film will usually fall apart when it tries to attempt too many changes in tone, but “The Kid Who Would Be King” reigns in royalty because it takes enough time to fully flesh out the directions of where it’s heading, and ultimately it leads to a roller-coaster of mixed emotions that will have you pulling back so much more than you were expecting.
– Electric Wave Bureau’s beautifully immersive musical score. This group have had success with films such as “Lucy”, “Broken”, and the Paddington series, to name a few, but the work done in this film is easily my favorite from them because of the control in sound mixing that makes us the audience reach for something faint in the distance. In my interpretation, the eclectic tones channel a lot of 80’s coming of age flicks, like “Stand By Me” or “The Goonies”, in that they exert enough danger in the wonderment of adventure that you sadly don’t hear much in today’s child movie landscapes. The music fits on the ideals of war and blossoming adolescence that aren’t two of the easiest things to blend together, but E.W.B’s complete score is a taste test of rich flavors and layers that will have you putting your ears before eyes to see what hints become prevalent to you.
– Passion of filmmaking instilled to a kids movie. It would be easy for this film to fail for the fact that it’s released in January, but the combination of shot selection, gorgeous cinematography from the mastermind Bill Pope, and intriguing character arcs, render this one a rare gem to the days when kids movies could be films that looked and felt like award worthy presentations. The detail here to its themes and inspiring message is something that I feel will leave a lasting imprint on the rapid fire list of releases that they endure each year. It’s the perfect introduction for any kid wanting to learn more about film, and seeing the kinds of artistic integrities that expands their horizons, and it’s in bringing along that adult filmmaking mentality to a kids genre where I have the deepest respect for this picture.
– Feels like there is actually weight and stakes to the movie. Part of what I miss in the movies from my childhood are those instances of fright or daring imagery that supply a ball of uneasiness in the pit of my stomach, and this film is an homage to exactly what I’m talking about. Aside from an antagonist who is visually and personally sinister, there’s much to the idea surrounding school bullying and where the evolves with the progression of the story. It’s one of those films where the kids feel alone and legitimately responsible for what transpires, proving age is only a number in the inspiration and ambition to grow into what you’re destined to become.
– Misuse of the antagonist character. I have been a fan of Rebecca Ferguson for a few years now, so when I heard she was cast as the film’s central evil enchantress, I looked forward to seeing a side to her acting that I haven’t been privy to before. First of all, Ferguson is NOT the problem. She gives her all in these deliciously devilish takes when she is front-and-center. The problem comes from the lack of energy and time dedicated to her character that make her motivation nothing more than just another villain. Even the confrontation itself comes and goes with very little struggle or psychology to its movements, and it ultimately drops the ball on a character who deserved to have more influence on this group banding together to stop her.
– A bit too long. Clocking in at nearly two hours long, the film does begin to test patience during the third act, in which there are two different final battles. The second confrontation that rendered the first completely pointless and worthy of being edited out, feels like the real ending. This is really the only script disagreement that I had during the film, as the second conflict is bigger, more visually indulgent, and goes on a bit longer. I think without that first battle, the film could’ve trimmed fifteen light and inconsequential minutes that would’ve done wonders in carrying audiences through the home stretch.
– Computer generated saturation. While the generated effects in the film do supplant enough weight and believable color filtering to where they stand out, the percentage of its use becomes too much by film’s end, ridding itself of what simplicity made the movie sweet in the first place. Even for the fantasy genre of film, its imaginary properties don’t theoretically blend well with the whole Arthur folklore, and felt like too much was being thrown at the screen during the most impactful of sequences.
My Grade: 7/10 or B-