Directed by John Francis Daley and Jonathan Goldstein
Starring – Jason Bateman, Rachel McAdams, Kyle Chandler
The Plot – Bateman and McAdams star as Max and Annie, whose weekly couples game night gets kicked up a notch when Max’s charismatic brother, Brooks (Chandler), arranges a murder mystery party, complete with fake thugs and faux federal agents. So when Brooks gets kidnapped, it’s all part of the game – right? But as the six uber-competitive gamers set out to solve the case and win, they begin to discover that neither this game – nor Brooks – are what they seem to be. Over the course of one chaotic night, the friends find themselves increasingly in over their heads as each twist leads to another unexpected turn. With no rules, no points, and no idea who all the players are, this could turn out to be the most fun they’ve ever had… or game over.
Rated R for adult language, sexual references and some violence
– Blending two polar opposite genres together is something that often fails, but ‘Game Night’ conjures up this kind of hybrid playing field where the worlds of horror and comedy merge together soundly. Much of the reason for this is because the humor in this script never takes away, nor sours the mood of the very surreal consequences that these friends are dealing with.
– If a film is called ‘Game Night’ and it isn’t at least fun, you would have an instant fail, but thankfully that doesn’t happen. This film is tightly paced at 95 minutes, richly humorous without anything of the raunchy nature, and packs enough twists in narrative to always keep you guessing.
– Cliff Martinez, how do you do it? Not only does my favorite music composer score this film, but he once again tickles our audible sense with a collection of music that is every bit as transfixing as it is vital to carving out the ominous urgency in his influence of synth-pop game changers.
– There’s much argument for who steals the show here. McAdams and Bateman are of course a delight, harboring a kinetic kind of energy in chemistry that makes their connection evident. But then there’s excellent supporting work from Jesse Plemmons, Lamorne Morris, and probably my personal favorite: Billy Magnussen as the idiot friend whose stupidity is his greatest asset in charm.
– In addition to the well-rounded cast, their characters are each given plenty of scenes to chew up, making each of their voyages on this night of terror equally important to moving one step closer towards the big reveal. I personally will always support a film that caters more to the team aspect than just one or two great leads, and ‘Game Night’ is certainly of that caliber.
– Surprisingly enticing cinematography by Barry Peterson. With the exception of ’22 Jump Street’, Barry hasn’t gotten a chance to really shine in a winner, so it’s a pleasure to see how far his experience has come in gripping a visually enhancing companion piece to the hip script unfolding before us. The chase sequences both in and around the car are shot competently in keeping with the pulse of intensity, and a two minute chase sequence in the house that is manipulated to look like one continuous shot is one that I appreciated for the kind of choreography that you can bend in a setting so immense.
– This is definitely the most I have laughed over the last year of cinema, and that really surprised me because after not laughing at all during the trailer, it saves its best material for the paying customers.
– It goes against the grain in not falling into the trap of a third act conflict between these friends that almost every comedy today must do. Instead, by keeping them constantly on the same page, it enriches their friendship in standing together through arguably the worst or best night of all of their lives.
– There’s a scene about midway through where Bateman’s character is searching a police database laptop for the identity of a man they are searching for. There’s two things funny about this; 1. There’s a search bar labeled “Alias name”, and 2. He types in “The Bulgarian” and only one person comes up. I guess only one person in the entire world goes by a name as cryptic as “The Bulgarian”.
– The final two shots of the movie are easily the weakness of the entire film. The first involves continuing the story with a kind of sequel bait kind of way that doesn’t make sense with how things concluded, and certainly doesn’t fit in any kind of possible continuing conflict. The second scene is a credit sequence that shows how everything was accomplished by a certain character. Every film mystery needs an answer, yes, but in solving the mystery here and trying to answer so many questions, you only see the glaring plot holes that highlight just how truly impossible this whole thing was to script together by any one person.