Scarlett Johansson, Kate Mckinnon, Zoe Kravits, Ilana Glazer, and Jillian Bell are five best friends whose one “Rough Night” puts them on the wrong side of the law. Five best friends from college reunite 10 years later for a wild bachelorette weekend in Miami, involving drunken debauchery that is their one last thrill before Jess (Johansson) ties the knot. Their non-stop hard partying takes a hilariously dark turn when they accidentally kill a male stripper during his musical routine, forcing the friends to think fast in order to avoid serious jail time. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most, and at the very least should inspire some hilarious bridesmaid speeches in the long run. “Rough Night” is co-written and directed by Lucia Aniello in his first big screen offering, and is rated R for crude sexual content, adult language throughout, drug use and brief bloody images.
Raunch comedies are a dime a dozen these days. Typically you will take a comedy with a bunch of promising talents and combine it with sophomoric humor to test the boundaries of an R-rating. Now the ladies get their turn with “Rough Night”, a film that borders a little too closely to the 1997 Christian Slater film “Very Bad Things”, in that they are both movies that take place over the course of a bachelor party, and a stripper ends up dead. Beyond those identical plots, “Rough Night” paves its own path by taking a so-so script and elevating it even higher than it rightfully should be because of the performances and chemistry of its five leading ladies. The film doesn’t push the sadistic envelope quite as far as its male comparison did two decades ago, but its charms lie in its ability to never take itself too seriously, and focus from square one on the comedy first. This is the kind of film that is easy to just kind of turn your brain off and allow yourself to succumb to the entertaining nature of a R-rated, free from the watered down humor of kids cinema that can wear thin on the intelligence of its audience, and that is where I think this film will resonate best; in its female moviegoers who are seeking comparisons to their own wolfpack of friends for the many wild nights that they have shared. Because of that, this one is full proof for the ladies, and one that they will undoubtedly hand over their cash to see in droves.
What I appreciate about a film like “Rough Night” is that it doesn’t allow itself to be something that it isn’t. Comedies these days can sometimes think that two hours is the way to go, keeping in every bit of sequences that should’ve rightfully been put on the cutting room floor for DVD extras. The script here is written by Paul Downs, a guy who actually portrays the leading male in this movie. If you’re like me, you can smirk at the guts of a guy to not only cast himself as the boyfriend of Scarlett Johansson, but also to promote himself into more than forty minutes of this movie. There are things about Downs style of writing that I appreciate, and the things that are better left to a minimal. On the former, I certainly picked up on the delightful irony that the women portray the men in this film, with all of their drunken debauchery and careless antics, and the men played the women, in all of their subtle and cozy surroundings to embrace bottles of wine. It’s genius because it doesn’t necessarily have to be too overbearing to be obvious, and I think Downs should be commended for giving a voice to this feminist tribe. Where he could use some work however is in the scatterbrains plotting of subplots that can often overstay their welcome. Whenever the film isn’t focused on the females, there is a side story developing for Paul to track down his fiance because he is legitimately worried about her well-being and their relationship. This perspective slowed down the momentum each and every time I felt comfortable to kick back and enjoy myself, and will most likely be the brake pads for those who take this one in. Most of the material falls flat during this time and feels raunchy for the hell of it, without much creativity to push it further.
That is where we get to the comedy of the film, which surprisingly gave me several hearty chuckles, despite not being my go-to brand of humor. The film feels like it flows best when it is sticking to Downs method of mayhem that is unraveling before our very eyes, and less with scenes of long-winded improv that can sometimes drown on for far too long. For my money, the strongest material blossomed when the girls were each getting their respective characters across, and just indulged in a pizza and booze hangout with one another. Honestly, if you didn’t have a plot to go with this film, I would be fine, as these characters (Minus one who I will get to in a second) are just a riot to be around, and the camera serves as that lucky eavesdropping that has served as our invitation to this debauchery that proves the ladies can do it just as well. Because these are human characters, their sometimes stupid decisions can seem genuine, and there were many times when I couldn’t wait to see how a scene played out with what felt like me thinking several minutes ahead of where our girls hadn’t even thought about yet.
On the subject of characters, most are delightful to embrace in their melting pot of differences that make up this clan, leaving only one girl who I couldn’t stand, and that came in the form of Jillian Bell as best friend Alice. Bell is usually one of my favorite parts of any film because her dry stick can sometimes be the wise-cracking sarcastic reality that a blown out scene can rightfully need, Unfortunately for her, Alice is a wreck of a human being, and serves as that one friend who the others complain about when they aren’t around. Don’t act like you don’t know one. If this isn’t enough, Downs writes her into a kind of “Bridesmaids” subplot where her character reeks of jealousy towards Mckinnon’s engaging Pippa. Speaking of which, Kate gives probably her best big screen performance to date, not only carrying much of the comedic backbone to the film, but also in a solid actors performance that showcases her holding an Australian accent for the entirety of the film. The accent can sometimes crack, but as far as accomplishments for her career goes, acting is the next step to take, as she has already proven she can steal laughs from anyone in the audience, during a movie that she is leap years ahead of. Mckinnon doesn’t feel like she is being used as just a reactionary character here like she was in “Ghostbusters” or “Masterminds”, and Pippa often feels like the breath of fresh air for this band of women who have sometimes spent far too much time together.
THE VERDICT – “Rough Night” thankfully is just a clever title, as this R-rated raunch-com offers the perfect 95 minute getaway for the ladies seeking laughs, thrills, and most importantly escape in their female-led comedies. For me, the film works best when its focus is solely on the ladies and less with a male subplot that should’ve been trimmed in favor of building momentum. The script is kind of all over the place in terms of structure, but what settles it down is the off-handed dialogue that constantly made me do a second take, as well as the undeniable chemistry of its female cast who are not afraid to take chances. Nothing of breakthrough for the genre, but a good time to waste the night away.