Directed by Owen Egerton
Starring – Robbie Kay, Seychelle Gabriel, Zachary Levi
The Plot – Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As festival attendees start dying off, three teenagers, more schooled in horror-film cliches than practical knowledge about neutralizing psycho killers , must band together and battle through various madmen and monstrosities to survive.
Currently not rated
– Creative kills. Sadly, the effects work is mostly computer generated, but that doesn’t spoil the creativity involved with a first act setting of the stage that is certainly the five most satisfying minutes that this film has to offer. Chainsaws, road tools, and pools of pig’s blood splash and gash across the screen, giving you a fiesta of carnage that the rest of the film has trouble ever living up to.
– Subtle homages to horror icons. While most of the rules and material of ‘Blood Fest’ felt more insulting than not for my taste, the Easter Eggs pointing to some of the elusive legends of the genre felt satisfying for their familiarity. It’s not so much ripping off popular properties as it is depicting their magnitude on the horror pop culture stratosphere. I won’t spoil much, but Hoddertown as a setting within the park gave me plenty of motivation as to where I want to live next.
– I love the idea of this plot. This feeling of life imitating art is one that thrives with my general interest, even if the movie managed to round up zero legitimate scares along the way. On the surface, the event Blood Fest is this great excuse for gore and body counts of the highest ratio to come together, bringing the torture on a grander scale than were used to in a conventional horror film, with the exception of maybe zombie films. P.S – There are zombies in this movie.
– While none of the acting is worthy of over-the-top praise, the work from this ensemble of mostly inexperienced cast members do a solid enough job as a likeable entity. Particularly the work of Gabriel as the final girl of sorts for this film, served as my single favorite performance for the movie, as someone not afraid of getting dirty when a scene requires it. She tends to give her whole body to a scene involving violence, and her petite stature is one that comes in handy for the many twists and turns that the story, as well as her body, takes.
– Much of the comedy, while juvenile and redundant at times, hits its target for a majority of the time, bringing a few hearty laughs that definitely made the sit a lot easier. My favorite scene of the movie takes place in the opening five minutes, when the trio of leads are talking at the video store. The banter between them is timely in their sarcastic deliveries, and overall it’s this scene that sets the precedent for the personalities, as well as the brand of humor for the entirety of the movie going forward.
– While this is a far greater improvement on production designs from Rooster Teeth’s other feature films, the set pieces in particular feel lifeless and artificial. When the film isn’t limiting the most of its horrific looking green-screen effects that obscure and blur anything surrounding human properties, the physical properties feel like they were cut out of a gimmick haunted house, lacking any kind of depth or creativity for their inclusion.
– Bare minimum character exposition. These are people who are limited to one word descriptions like “Blonde” or “Virgin”, and the film’s lack of focus to their proper development leaves them equally with nothing to live up to with these minimal tags. Even for a B-grade horror movie, ‘Blood Fest’ caters more to the familiar tropes of the genre, instead of building on the audience’s investment in a particular character, and the result are weightless deaths that add nothing of urgency or effectiveness to the frights of the film.
– Plagued by predictability. ‘Blood Fest’ feels worn down by the lifespan of its gimmick as a movie that is ahead of the rules it promotes, beating into the ground constant reminders that riddle it full of telegraphed moves before they even happen. A couple has sex, so of course they’re dead, a blonde is naked in the shower, so of course she’s next, and this constant ring of reminder annoyed me because of how saddled it becomes with being another follower of the pack.
– ‘Blood Fest’ is everything wrong with the pop culture appeal that it satirizes so often. The film’s antagonist speaks of the horror genre losing its effect because studios have taken what’s forbidden and made it routine, and this movie does the exact same. It’s insulting to condense horror into a few simple rules, but even more than that it’s damning to the integrity of the film when the tone-deaf range, as well as lack of anything original or compelling for the genre rears its head. This gives Rooster Teeth a double F for eFFort.
– The twist, while anything but predictable, is as far-fetched an idea as anything that this film scares up for us. What’s even more ridiculous is that the film didn’t require it, as the movie’s true antagonist and surprisingly creative plot made for more than enough explanation on the idea of this festival. I guess it’s appropriate that a character involved in the ending spouts the line “I did warn you that Blood Fest was going to suck”. Well played movie, and this twist only further emphasizes how right on the money you truly were.