Directed by Tim Wardle
Starring – Silvi Alzetta-Reali, Eddy Galland, Ron Guttman
The Plot – New York, 1980: three complete strangers accidentally discover that they are identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but it also unlocks an extraordinary and disturbing secret that goes beyond their own lives, and could transform our understanding of human nature forever.
Rated PG-13 for some mature thematic material
– Masterful storytelling in the form of the brothers, as well as the dozens of family members, doctors, and authors who played a pivotal role in this one-of-a-kind story. Eddy in particular, has such a unique tone of voice and passion when he describes someone he loves or a particular event in how it went down, and that kind of energy being tapped into played wonders in keeping me engaged in them throughout the picture.
– Articulate dramatizations that play hand-in-hand with the storytelling being told audibly. Most biopic documentaries use this feature, but use it in a way that is corny or comical in presentation to the way that takes away the focus on the details. But in ‘Three Identical Strangers’, this aspect in visual storytelling captures the essence involved with the atmosphere that feels honest to the imagining.
– A surprisingly big budget feel in musical favorites. Even if music isn’t the prime focus in a story like this one, the inclusion of tracks like disco and southern rock that were all the rave at the time of this discovery, do wonders in immersing us into the right time and place for this setting. Beyond just the triplets, this is a story about pop culture in the 80’s, a time when people started understanding that you don’t have to be in the movies to be considered a celebrity.
– There’s a rich combination of humor and dramatic material in the film never stumbles or cuts short the power of the other. For as much as I was authentically laughing during the first act of the movie, the evolution of maturity in material during the second and third acts when the relationship of the brothers becomes tested, felt very compelling in the sense of heartbreak for my immense interest in this uncovering of the truth that the trailer promised us endlessly.
– Speaking of that mystery, the less you know about these brothers and their circumstance, the better. I myself knew absolutely nothing about these triplets, other than what I was told in the trailer, and even that might be too much. In my opinion, go into this film completely blindfolded, because only then will the impact of helplessness cast upon these three gentlemen reach its boiling summit, and you’ll be moved to the point of being an information seeker because of it. Sometimes 91 minutes of a film just isn’t enough, and you’ll find yourself searching for what has happened since the cameras got turned off.
– With spoiling as little as I possibly can, the material focuses on the age old debate of nature versus nurture, and while the final verdict doesn’t feel anymore conclusive because of this shining chapter, the many ups and downs of uncovering this dark past certainly provide plenty of ammunition for both sides. Throughout the movie, I was debating with myself, occasionally changing sides with the more I knew about what these brothers had been through, pointing to that aspect of genetics that lies somewhere in the middle. Engaged and enraged, this film played chess with my opinions, and even still I’m as confused as ever.
– BAFTA nominated filmmaker Waddle does a superb job at piecing together the facts and the vast collection of TV appearances and newspaper articles of this story, while leaving his finger firmly on the pulse of human psychology. Selflessly, Waddle never allows himself to be much of a presence on-screen, albeit in just brief question deliveries that he has for his guests, but instead spends his time preserving the thriller aspect of the real life story that sometimes feels too compelling to be a true story, proving that drama plays for stronger stakes in the world far beyond the silver screen.
– Something interesting happens with the dialogue throughout the film that required you to constantly pay great attention. The only thing I could compare it to are the Saw movies, when a line of dialogue is re-inserted during the closing moments of the film to add new meaning to the clues it gave early on. That same thing happens many times in ‘Three Identical Strangers’, and does so without ever spoiling what’s to come, because most phrases in human conversation have double meanings when played out of context. Truly provocative in how it forces you to hang on to every word.
– Doesn’t waste time in getting to the meat of the story. What you do learn from reading the synopsis above, happens in the first twenty minutes of the documentary, leaving that inevitability that something bigger and darker lies just underneath the surface of human interest pieces. What evolves, does so without taking away from the luster of the enchanted tale, all the while harvesting this level of regret in somber details that only gains our interest so much more.
– In the heated debate throughout the film of nature versus nurture, there is one disappointing aspect, most notably in the time devoted to the lives of these kids and their adopting families. Everything is summarized briefly, but I feel like this particular angle needs more attention paid to it, especially during the third act, when we start to see the laces of theories and narrative thesis being tied together. Some more family experience or elaboration could’ve done wonders in making this a perfect film, but as it stands it is the only aspect of the movie I was disappointed with.