Directed by Genndy Tatakovsky
Starring – Adam Sandler, Selena Gomez, Mel Brooks
The Plot – Mavis (Gomez) surprises Dracula (Sandler) with a family voyage on a luxury Monster Cruise Ship so he can take a vacation from providing everyone else’s vacation at the hotel. The rest of Drac’s Pack cannot resist going along. But once they leave port, romance arises when Dracula meets the mysterious ship Captain, Ericka (Kathryn Hahn). Now it’s Mavis’ turn to play the overprotective parent, keeping her dad and Ericka apart. Little do they know that his “too good to be true” love interest is actually a descendant of Abraham Van Helsing, ancient nemesis to Dracula and all other monsters.
Rated PG for some action and rude humor
– Sandler’s career has found a bit of a resurgence in vocalizing animated characters. After three straight films that have made me laugh more than the last ten of Sandler’s live action movies combined, I think Adam should stick with voicing Drac and other animated properties for the foreseeable future. Sandler works in this environment because his vocalizing has always catered to adolescent material, bringing with it a tone in reactionary humor that was made for animated film. On top of it, he gets to stick to formula and bring with him his growing number of friends, to make sure each of them always has a paying gig. Quite the samaritan.
– Tatakovsky’s style of animation that is unlike anything by comparison in the animated world of cinema. The eye-popping colorful stroke, combined with facial defining traits are something that clearly makes this franchise standout, and pushes the boundaries of its comedy even further by some effective sight gags that consistently keeps the humor in check.
– Speaking of sight gags, they easily carried the humor over the dialogue that rarely ever hit for me. For my money, I would’ve been fine with ‘Hotel Transylvania 3’ being a silent animated film that captured all of the cause and effects of monsters being aboard a cruise ship, and how their dispositions fed into that setting’s entertainment traditions. Particularly, my favorite scene of the entire film is an airline run by some familiar 80’s cinema monsters, that adopt their own brand of customer hospitality that will have you shrieking with laughter.
– Being a fan myself of the world’s biggest mysteries, I love that the setting of this film takes place in the Bermuda Triangle, on Friday the 13th. The date in particular is interesting, because that is of course the release date for this film, and kudos to the studio for breaking the fourth wall in those regards. The setting perhaps does or does not elaborate on the urban myth to why so many have disappeared in its clutches…..or should I say tentacles (Wink Wink)
– On the front of messages for the film, at least there are two out of three that youths can take away from positively. These are the importance of family, as well as never judging those who are different on just appearances alone. I think if these messages stick, those younger audience members will be alright. If the third and more consequential message sticks, in which we should pursue endlessly the objects of our affections, then I have great terror for the world in the coming decades.
– As par for the course of Sandler films, this one has no shortage of classic rock favorites, or even the best of modern day top 40 to accommodate its repetitive dance sequences. My problem with this is the music included feels so commercialized, adding very little value or importance to the scene based on creativity. It feels like a lazy excuse to sell downloads, and never really fits in this particular world, no matter how goofy Drac and friends are portrayed.
– It’s interesting to me that this film takes place over the course of a few days, and yet we never see any daytime scenes. One could say that’s obviously because Drac sleeps during the day, but there are also no scenes involving Drac going to sleep or resting of any kind. Because of how the film is edited and paced together, it feels like one continuous trip into a world where the sun never rises, and the characters, both monster and human, never sleep.
– By the third installment of this franchise, there are simply far too many characters at this point with nothing to do. It’s certainly an easy paycheck for those talented voice actors, but their inclusion adds so little to the film in a creative sense, and I would’ve liked to have seen some of them stay behind at the hotel to run things while a few go on-board. Wait a minute, who the hell is running the hotel while everyone is gone???
– The biggest negative to the story comes in the lack of attention donated to the unfolding narrative to the Drac and Ericka, before the pivotal third act. Considering this is a light, breezy 87 minute sit, there is no shortage to throwaway one-off gags that add nothing of weight or growth to what should be front-and-center in our focus. This film has A.D.D of the worst kind, leaving about fifteen minutes of actual development for the film’s central plot to feast on. Perhaps that’s why I’m left with this overwhelming sense of carelessness for where the film ends up.
– As for that finale, what develops between protagonist and antagonist is ridiculous even for a children’s cartoon. Not since the movie ‘Couples Retreat’ has a conflict been resolved in such juvenile and far-fetched way that has more holes in its plan than a piece of swiss cheese. What’s even worse is that even after sitting through ten minutes of ridiculousness that I couldn’t script if I was high on LSD, we come to discover that it all really doesn’t matter in the bigger picture. We end up some place where consequence and resolve doesn’t exist, instead opting to set up for a fourth movie that I hope returns this franchise to prominence.