Directed by Morgan Neville
Starring – Fred Rogers, Joanne Rogers, Francois Scarborough Clemmons
The Plot – From Academy Award-winning filmmaker Morgan Neville (20 Feet from Stardom), Won’t You Be My Neighbor? takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this emotional and moving film takes us beyond the zip-up cardigans and the land of make-believe, and into the heart of a creative genius who inspired generations of children with compassion and limitless imagination.
Rated PG-13 for some thematic elements and adult language
– Assertive, informative, and moving . Won’t You Be My Neighbor is the perfect documentary for all kinds of fans, passionate or occasional, who wish to immerse themselves one more time in their childhoods. It’s a heart-warming dissection of the man who refused to change in an ever-changing world, giving way to the kind of loving and supportive ideals that some in 2018 still struggle with.
– Documentaries often follow chronological time as their directing narrative for storytelling, but that predictable spin gets lost in favor of Neville’s focus on the impacts with the world at hand that only Fred could commute. In his unmatched relationship with his youthful audience, Rogers because a pioneer with a lasting legacy for positivity, something that figures from our childhoods are quickly being removed from.
– With any documentary about a particular person, I look forward to information about that person that I rarely knew about, and this film accomplishes this in spades. Aside from our own intimate portrait of Fred front-and-center, the film also has several deep psychological spins for what the many characters in-and-around the neighborhood represented.
– There is that stirring feeling watching the film, when you almost forget that Rogers has been deceased since 2003, and this is because of the masterful editing by Jeff Malmberg and Aaron Wickenden, that manipulates that feeling of real time. Aside from this consistent bending of time, there’s also an innovative way that the visual effects puts you in the seat of watching this on your own television, giving off that live vibe before our very eyes.
– With absolutely no shortage of scenes to reach for tissues, it specifically was the scenes of Fred supporting a gay cast member, as well as a child confined to a wheelchair where I lost it like I haven’t in years during a film. What’s even more credible is that these somber instances have absolute zero to do with negativity of the situation, and more to do with how truly beautiful Fred’s one-of-a-kind outlook on life truly was. If this movie doesn’t make you smile at least once, you should have your pulse checked.
– Wide assortment of friends, family, and colleagues that vividly paint the picture. It’s no surprise, nor small feat the kind of legend that Rogers became saddled with, but in hearing the perspectives of so many adults who he helped along the way, you start to understand that while children were his pedigree, the universal language of love was something he lived every single day of his life.
– Intercut during several points during the film, are some experimental animation with Daniel Tiger that added a layer of independent cinematic depth to perfectly capture the roller-coaster of moods that the film takes with its material. These illustrations by Jason Fruchter offer a kind of mature shading palate of the typical Daniel Tiger cartoon that can currently be seen on modern day PBS, where the color scheme breeds more psychadelic effect here that visually pleased.
– What was most impressive to me is that even though Rogers lacked the kind of controversy or trouble that a protagonist in these films always seems to have, the movie never lost steam to me in following along. This is proof that good storytelling doesn’t require a juicy circumference to hook its audience. Positivity still holds a place in this world, even though that aura of good does omit itself a bit after you leave the theater.
– Tons of behind-the-scenes footage that offer us that rare glimpse of him enjoying the many passions in his life. Even more beneficial in this aspect is the fading effect of this wall that divides character and person, reminding us of this rarity of them being the same person. Rogers lived and breathed his daily life lessons to those he constantly spoke to beyond the camera, giving much credibility to why his show worked despite the fact that it went against everything that was defined as great television for the time.
– Although I felt like the stuff involving Fox News certainly added a dimension of unnecessary backlash to Rogers consistently inspirational message, the focus aimed at the many shows and people who parodied Mr Rogers is something that I felt was strongly unnecessary during this particular film. Lashing out against these misguided comedians who are only doing it for a laugh makes Rogers almost come down to their level, and if it were up to me, I would be fine with Neville ignoring them all together instead of wasting minutes to even give them recognition. Even with Rogers comments on them, it never feels consistent with the rest of the film’s positive message of nothing coming between Fred and the kids.