Directed by J.A Bayona
Starring – Chris Pratt, Bryce Dallas Howard, Jeff Goldblum
The Plot – Four years after the Jurassic World theme park was closed down, Owen (Pratt) and Claire (Howard) return to Isla Nublar to save the dinosaurs when they learn that a once dormant volcano on the island is active and is threatening to extinguish all life there. Along the way, Owen sets out to find Blue, his lead raptor, and discovers a conspiracy that could disrupt the natural order of the entire planet. Life has found a way, again.
Rated PG-13 for intense sequences of science-fiction violence and peril
– Terrific volcano explosion sequence that isn’t afraid to get its hands dirty. While this is the peak (In my opinion) for thrills during the film, the rest of the action sequences are fleshed out with enough vulnerability and last second tension to leave all of the popcorn fun that a film can garner on the field of play.
– Poignant debates on the rights of predators versus every other animal. Unfortunately, this is as much originality for the film as you’re going to get, but the rights in question are certainly the focus point for the highs and lows that the material takes us on.
– Definitely the most stylistic of the Jurassic Franchise, with Bayona complimenting a polished interior harboring a sleek shine, in contrast to the smoky, gothic renderings of the island that scream monster movie setting.
– Pratt and Howard’s lack of chemistry is still there, but I’m thankful that this film doesn’t try to cram their romantic trysts down our throat, in the same way that the prior film ran into the ground. Their bickering is still there, but they learn quickly that they must work together as a team if they want to escape the wrath of this onslaught.
– The computer generated effects, specifically that of the dinosaur properties and lava explosions, continue to rattle the bar of expectations for the series. The weight of such hollow properties feel impactful, and the contrast in color grain compared to live action properties immerse themselves with enough emphasis on imagination.
– The film brings back the single most interesting character of the series in Ian Malcolm, for two throwaway two minute scenes that were definitely shot in one day of filming. This film could’ve been a dream team combination of Pratt and Goldblum, but unfortunately it withers away the possibility by keeping the latter in the courtroom.
– There are two manipulative scenes so forced and spoon-fed that it soils the competent storytelling up to that point. The first, and more offensive one, much of the problem revolves around needless reminder of the relationship between Owen and Blue, presenting us with a video package that reeks of redundancy from everything we already know. If this wasn’t enough, it’s presented simultaneously with Blue being in pain on a hospital bed, reminding the audience when to be sad. This might not bother typical moviegoers, but to me it is the worst kind of exposition that a movie can have. As for the second instance, the film’s big twist flounders as a result of shoddy editing and poorly put together package that slowly omits the energy from a bombshell that honestly didn’t pack a lot of investment to begin with.
– If the villains in the film were written with even a layer of depth and not just playing into stereotypical type, then the protagonists climb would feel that much more steep, thus increasing my investment into the overall conflict. Because we have seen this antagonist in every Jurassic World/Park film, it just feels like leftovers that never satisfied our hunger the first time around.
– Apparently, four previous films did nothing to shape character intelligence, so nothing will. Setting up a room of rich businessmen with dinosaurs that are not even sedated at the very least, is every bit as mind-numbingly asinine as it is hinting at the feast that is about to take place. Who was it who said that if we learn nothing from history we are doomed to repeat it? That screams ear-piercing volumes in this film.
– Something that Claire’s character said in the previous film echoed in my mind. She said that people become desensitized to dinosaurs because they’re walking around all the time. Likewise, this franchise continues to never elevate itself as anything but a sequel, instead of a progressively smart chapter that boldly stands on its own two feet. With the wonderment in presentation from Spielberg gone, the pageantry of seeing dinosaurs on-screen are no longer enough for me to give these movies a passing grade. Even worse, identical scenes are duplicated and lifted from better previous films.