Directed by Brad Peyton
Starring – Dwayne Johnson, Jeffrey Dean Morgan, Malin Ackerman
The Plot – Primatologist Davis Okoye (Johnson) shares an unshakable bond with George, the extraordinarily intelligent gorilla who has been in his care since birth. But a rogue genetic experiment gone awry transforms this gentle ape into a raging monster. As these newly created monsters tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Rated PG-13 for sequences of violence, action and destruction, brief adult language, and crude gestures
– Considering this is a film that is based on an 80’s 8 bit video game smash-em-up, it would be criminal if the production couldn’t even master action sequences and set pieces. Thankfully, this isn’t the case, as ‘Rampage’ spares no expense at destruction of scenary, giving its ape protagonist plenty of time to pay homage to one of the most fun Nintendo experiences that anyone could have.
– In addition to the action, the sound mixing by Beau Borders rumbled the auditorium with thunderous precision. If you’re going to see this movie, make sure you do it in an IMAX setting because the devastation in sequencing is nothing short of incredible for immersing you right into the moments.
– Surprisingly, much of the C.G work is believable and shaded superbly. Why this is shocking is because the trailers make the animals look poorly rendered, and lacking of great weight when compared to their physical properties around them. While it’s not all one hundred percent, as much of the computer work with the long shots lack the kind of impact consistency, I can say that this was one area that cleared up well and made me able to soak in the giant monster smashing movies from my youth that I was addicted to.
– The big name cast is having the time of their lives. Johnson is always someone who makes the most of every opportunity given to him, and it’s in his soft spoken personality to match his intimidating presence where he carves out a human protagonist that is not only likeable, but also believable in the many physical challenges he’s given. Jeffrey Dean Morgan was also great, even if he was just playing Negan from ‘The Walking Dead’ throughout the film. Morgan chews up enough scenary to always leave you wanting more, and the chemistry between he and Johnson feels like a dream team pairing that took me places that I didn’t expect. More on that in a second.
– This is a screenplay that (Like its creatures) constantly keeps moving, engaging the audience in excellent pacing to keep the plot thick. At 102 minutes, ‘Rampage’ never gives much time to breathe, and I appreciate that in an action film that obviously doesn’t have the deepest of storylines.
– It honestly surprised me that Ackerman is the true villain of the movie, as a big wig corporate executive who is straight out of 90’s bosses. Between the cheesy ominous tones that accompany her whenever she’s on screen and her overall lack of presence, I just couldn’t buy her as the film’s central antagonist. The trailers marketed Morgan as being the villain, so it’s a bit of a disappointment when one of the best villains currently on television is nothing more than a secondary character in this script.
– Anyone who knows me knows that one of my pet peeves in cinema is the overused stable of unsubtle advertising, and this film is full of it. From the Ford emblem being all over the vehicle shots, to the colorful Dave and Busters sign that sticks out like a sore thumb in a dust-filled Chicago backdrop, this movie can’t resist. If this isn’t enough, an actual 80’s Rampage arcade game is shown in Ackerman’s office. This begs the question; is this whole project based on some little girl’s addiction to a video game from her childhood?
– I realize that complaining about logic in a movie where a forty foot tall ape gives the finger and makes sexual gestures with his hands is probably simplistic, but a critic has to speak his mind. When the initial explosion of contaminated pieces happens in space during the first scenes of the film, I find it incredible that despite there being so many of them, they only land in three different places, and in the United States none the less. Imagine the odds.
– The third act of the movie had the ability to really send us home on the strength of dramatic muscle, but it withers away because of some choices made that ruin it. I won’t spoil it here, but in building Johnson and George’s friendship the whole movie, you wait for the inevitable confrontation that will change everything. Nope, it doesn’t happen, and the reason why still makes me scratch my head from a scientific standpoint.
– Despite the repeated notion that the world is in trouble as a result of these creatures, the sense of urgency and weight that resides within the rest of the world feels limited. After all, this is just one city in a bigger world that has plenty more weapons in taking it down. It never feels like armageddon is upon us, and that lack of uncertainty never lifts it from being predictably grounded.