Directed by John Stevenson
Starring – Emily Blunt, Johnny Depp, James Mcavoy
The Plot – When Gnomeo (Mcavoy) and Juliet (Blunt) first arrive in the city with their friends and family, their biggest concern is getting their new garden ready for spring. However, they soon discover that someone is kidnapping garden gnomes all over London. When Gnomeo and Juliet return home to find that everyone in their garden is missing there’s only one gnome to call Sherlock Gnomes (Depp). The famous detective and sworn protector of London’s garden gnomes arrives with his sidekick Watson to investigate the case. The mystery will lead our gnomes on a rollicking adventure where they will meet all new ornaments and explore an undiscovered side of the city.
Rated PG for some rude and suggestive humor
– This is a very talented A-list cast that each bring something diverse and personal to their respective roles. However, there are a select few who break away from the pact, immersing themselves so deeply in their characters that their familiar voice patterns seem to just fade away. James McAvoy as Gnomeo, Johnny Depp as Sherlock, and especially Chiwetel Ejiofor as Watson.
– The animation is much greater improved from the 2011 original film. So many of the human beings move with such fluidity in their designs, and the surrounding landscapes seem to radiate a glow of realism that adds more dimension to the hollow properties of the gnomes themselves.
– At 81 free-flowing minutes, a majority of the movie moves with crisp pacing that never rarely drags. I can respect any film that knows how much material it has within and doesn’t require stretching to meet a 90 minute quota.
– There is a plot twist midway through between Holmes and Watson in the film that I wish would’ve been followed through with fully. In fact, for all of my interests, I would’ve preferred an animated Holmes and Watson movie without the gnomes. From a psychological standpoint, the film takes a surprising dive repeatedly into the mind of Sherlock to show us for the first time how he ticks as an intellectual.
– Exceptional work by Elton John and Bernie Taupin on providing some fresh twists on classic Elton favorites. This soundtrack is nothing short of a toe-tapping good time, and I felt the re-imagining of some of these timeless classics really gave spring to the very adventure aspect depicted in the film.
– Much of the time, this film feels like two different 40 minute scripts (Gnomes Vs Holmes) that don’t necessarily mesh well with one another. I mentioned earlier that Holmes would’ve been the way to go for this particular film, and I further that stance because much of the supporting gnome characters, and even McAvoy’s Gnomeo become a bit of background in their own franchise. Imagine if Buzz and Woody were reduced to Rex and Slink in a fourth Toy Story.
– As to where I already mentioned the solid addition of Elton with the music, I have to slander his inclusion in the dialogue that set up for FAR too many puns with his song titles. I probably heard the phrase Tiny Dancer a hundred times in this movie, and the film is never inspired to let go of it.
– Speaking of which, the overall comedy for the film fumbles what little opportunities it presents to itself. My problem isn’t so much that I only laughed once during the film, but that most of the scenes and lines during the trailer that made me laugh simply aren’t included in the finished product. Try entertaining a child with no comedy.
– The third act takes far too long in getting where it needs to finish up. Considering this final conflict begins with around 30 minutes left in the film, there’s an overall feeling in making this final presentation one that glitters the wonderment of children, but I felt that its flashy perspective did more harm in keeping the interest glued. So much can easily be edited to reduce repetition.
– There is very little in the way of surprises for this screenplay, and it’s a shame that much of that overwhelming taste of mediocrity will be what sticks with audiences most of all when the film ends. With more care and concern for keeping the content sharp, the film could’ve kept some of that lightning in a bottle that fizzles out once the outline of where the film is headed becomes obvious.