Directed By Scott Speer
Starring – Bella Thorne, Patrick Schwarzenegger, Rob Riggle
The Plot – Based on the Japanese film, ‘Midnight Sun’ centers on Katie (Thorne), a 17-year-old sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie (Schwarzenegger) and they embark on a summer romance.
Rated PG-13 for some teen partying and sensuality
– Rob Riggle is surprisingly the emotional pulse of this film, putting aside the jokester gig for one night to play a compassionate father whose only gift left in life is someone so fragile. I would love to see Rob do more dramatic work, as I feel his comedic schtick has worn itself thin. ‘Midnight Sun’ gives hope to my request.
– The film does take the time necessary to see life through Katie’s eyes living it for the firs time. It is the lone time that I felt invested in her character, and does wonders for tugging at the heartstrings of the true tragedy of the situation for a life wasted behind closed doors.
– Much of the film’s ending did anger me because of the mindless character choices being made to manipulate audience into feeling something, but I have to give credit to a movie that decides to go all the way in committing itself even if it alienates some of its audience.
– Continuity errors like Bella Thorne’s hair going from dark red to strawberry blonde in one scene to the next, as well as her best friend in the film (Played by Quinn Shephard) who uses two different cell phones during the course of the film. Considering the movie takes place over what feels like a month, I’m going to say the latter isn’t because she’s clumsy with her possessions.
– In regards to one consequential scene, never at any place or time in the world does the sun come up at 4:50 AM.
– There is absolutely zero chemistry between the two leads. Much of this can be blamed on clunky dialogue that is so obviously written by adults who don’t interact with teenagers. However, the stone cold monotonous deliveries by Thorne and Schwarzenegger also feed into this glaring aspect. When the daughter of the film has more chemistry with her father than she does the object of her affection, problems tend to arise.
– The film doesn’t exactly present the most accurate portrayal of XP. Victims can in fact go outside for limited amounts of time with covering clothing. In the educating department, ‘Midnight Sun’ never takes the time to elaborate on the condition beyond its manipulation of the one thing about the disease that everybody knows, and even that is stretched thin.
– Obvious foreshadowing. The first act of this film might as well be labeled in the script SPOILERS SPOILERS because there’s so much transparency in what the writers want you to know about details that will eventually pop up later. This wouldn’t be a problem if it were slid in carefully, but so much of the rules of these characters and their respective positions come out of nowhere, sticking out like a sore thumb in a mind-field of tacked on exposition.
– If there’s one thing that Speer as a director doesn’t have a handle on, it’s bringing out the required reactions in each scene. For instance, there are several scenes during the film that present these quick cuts of Riggle’s character reacting to the changes in Katie’s life, and it omits a kind of gloomy and almost jealous lover vibe that made me wince from the unnecessary pressure.
– As for the pacing, the film feels like it stretches the material even at a measly 85 minutes. Much of this is attributed to scenes that never last longer than two minutes, and often never feel like one cohesive unit that continues to build momentum. The most basic of outlines feels persistent here, limiting the chances it takes in keeping us entertained.