Directed by Will Gluck
Starring – James Corden, Domhnall Gleeson, Rose Byrne
The Plot – Peter Rabbit (Corden), the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role of his own irreverent, contemporary comedy with attitude. In the film, Peter’s feud with Mr. McGregor (Gleeson) escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door (Byrne).
Rated PG for some rude humor and action
– While the film isn’t the most faithful to its literary property, it’s completely harmless. Purists of the former will indulge in enough gentle heart imagination and innocence in the bond between humanity and animals, as well as moments of visual Easter egg throwbacks to the original illustration. The new fans of Peter Rabbit will enjoy the quick-witted, physical slapstick that offers plenty of laughs without settling for the low-hanging fruit of toilet humor.
– Speaking of laughs, the film is very clever with its material, choosing to break the fourth wall of kids movies on more than one occasion. Because of this meta stance, the script and these characters constantly feel like they’re one step ahead of our expectations, leaving us plenty to guess about what’s to come.
– Gleeson steals the show. If you didn’t believe that Domhnall Gleeson was a revelation before this film, his role as the antagonist of sorts will be your convincing note. Not only does Gleeson revel in chewing up the scenery of each and every scene as this sophisticated snob of sorts, but his endlessly amped-up physicality in each scene silences the disbelief of live property versus animated one with ease.
– The film’s quick pacing is complimented by some thrilling chase scenes that truly capture the imagination of the environment. These scenes are tightly edited and rapidly moving to keep their audience at energetic levels.
– A rorschach test of character framing. Interestingly enough, I found the children in the audience to be faithfully rooting for Peter and his band of colorful creatures, but I saw things from Gleeson’s point of view repeatedly, and I think that adult versus child comparison comes into play in a film with characters this respective of each demographic.
– In addition to a roller-coaster of laughs and debauchery, there’s a hearty romance developing between Gleeson and Byrne that is taking place in the background. The subtlety of their growing relationship takes its time firmly, and the chemistry between them is every bit as delightful as it is important to each respective person. After being chained down for ‘Fifty Shades Freed’ this weekend, it was nice to see how a real romance develops between two human beings.
– Lets all give Sony a round of applause for making a movie without pimping their products out. While this doesn’t seem like a big deal, I’ve seen films (Cough Cough, ‘The Amazing Spider-Man 2’) that feels like a two hour commercial for the production team behind it. Less is more, and maybe they are starting to learn that.
– The musical soundtrack does the thing where it soils the integrity of the property by instilling a collection of top 40 favorites to boost downloads. Where it tries to improve itself is changing and adapting the lyrics of such songs like Len’s ‘Steal My Sunshine’ or Fort Minor’s ‘Remember the Name’ to narrate a character struggle. It’s just the minority when compared to the majority that isn’t this creative.
– Pointless narration by Margot Robbie’s bird character. The narration is only in the film four times, and every time we hear it, it’s to remind us of something we just learned in the previous scene.
– The rules of who can hear the animals talking gets slightly skewed in the final act, especially after a random little girl acknowledges that she can hear them easily. This creates some holes in logic for earlier sequences that would’ve been spoiled had the rules followed these twists.