The biggest of D.C Comics brand of superheroes team together to save the day as the ‘Justice League’. Months after the destruction of events caused in ‘Batman Vs Superman: Dawn of Justice’, Fueled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists the help of his newfound ally, Diana Prince (Gal Gadot), to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes-Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller), it may already be too late to save the planet from an assault of catastrophic proportions at the hands of the deadly Steppenwolf and his army of deciples. ‘Justice League’ is co-directed by Zack Snyder and Joss Whedon, and is rated PG-13 for sequences of violence and action.
After the momentum of ‘Wonder Woman’ from earlier this year, the D.C Comics Universe is looking to extend that winning streak a bit more with assemblance of ‘Justice League’, the long-awaited team-up of a dream team of heroes, some of which being portrayed on screen for the first time ever within this realm. Because of these vastly different personalities, ‘Justice League’ feels like a welcoming appreciation of changes from previous efforts that could prove that D.C is starting to find their unique voice with comic storytelling. The inevitable comparisons to Marvel will always be there, but it is up to us as moviegoers to understand that these are two different worlds that divert in everything from tone to visual presentation, and while ‘Justice League’ isn’t the home run collectively that this series so desperately needs, it is a stand-up double that sets the stage fruitfully for the introductions to some vital characters with their own undisputed honor to the D.C calling card. Considering that this is a film that had problems in production both on and off of the silver screen, it’s a major step forward for a finished result that gave me a rousing good time.
Almost immediately, anyone will pick up on the change of atmosphere that has reduced itself from the serious drag that was films like ‘Man of Steel’ or ‘Batman Vs Superman’, and traded it in for an embracing of light-hearted tone that carves out some much needed personalities for these iconic figures. While it doesn’t get as over-the-top in laughs as say ‘Thor: Ragnarok’ did, I can confidently say that this movie guided the balance between serious and humorous more capably, finding a comfortable medium that caters to Snyder’s brand of adult-like settings. Much of my problem with these films up to ‘Wonder Woman’ this year has been the decision to take itself far too seriously, forgetting that this is a fantasy world that is being depicted, so the fun of imagination should definitely be there. Most of the humor fails or succeeds in the hands of the actors who harbor strong timing with their deliveries, but screenwriters Chris Terrio and Joss Whedon as a whole leave plenty of room in the comic kitchen for two chefs who are more than capable of playing off the right moment properly, leaving the garbage can of fails relatively limited in the grand spectrum.
The film’s runtime of nearly two hours definitely feels like it was trimmed down, especially considering so many scenes that were frequent in the trailers are nowhere to be found in the finished product. The pacing is more than remotely uneven, especially considering the exposition-heavy first act breezes by with the speed of The Flash, but the second act builds the process prominently of this team coming together as one and giving us plenty of chances to embrace their personalities bouncing off of one another. Particularly in the opening half hour of the film, it definitely felt like D.C knew that it still had plenty of ground to make up in bridging the gap towards the three characters of Cyborg, Flash, and Aquaman, who have only made brief cameos in the series up to this point. But time is of the essence here with Warner Bros limiting this film to the two hour mark, and because of such, those origin stories will have to wait for another day. What’s commendable here is that the film feels like five different movies being welded together for the price of one. Surprisingly, the film seamlessly blends together like one cohesive plot, proving that the ingredients taste the best when they’re working together as one. Overall, I had a great time with the film until about the final half hour, when the expected third act struggles of D.C rear their ugly heads again. Once again it’s too much C.G, too much quick-cut editing, and far too much structural damage instead of dramatic pulse to push its final scenes to the finish line. Because so much of the final fights in these films lack desperation or vulnerability, I never feel any grave danger for what is at stake, and it proves that D.C has plenty to work on to send audiences home electrified instead of antsy.
From a production standpoint, ‘Justice League’ also raises the bar, proving that aesthetics do matter just as much to this coveted team behind the camera. Thankfully, the cinematography by Fabian Wagner lightens things up visually to present us with some eye-catching landscapes to pop that comic vibe of authenticity. Snyder is a sucker for dreamy comic illustrations, and no one does it better than him in bringing these pages of vibrancy to life with such pulse. Sure, the C.G still oversteps its boundaries as a whole against physical properties, but Gotham honestly never looked so beautifully toxic as it did here. One point that I couldn’t ignore was the removal of Henry Cavill’s mustache which looked terrible in post production. I can’t imagine how anyone can’t see that his lip and mouth movements look about as authentic as Cyborg’s bodily property, leaving a stain on the film any time that his character decided to open his mouth. The lighting aspects here are much improved when compared to ‘Batman Vs Superman’ that looked like it was filmed in a dark, damp basement. I think this step creatively feeds to the concept that this isn’t just one or two characters movie, this is now an entire team, and it’s a great time for such a change when we’re trying to represent a magnitude of artistic integrities equally.
As for performances, the positives far outweighed the negatives for me, and even offered some surprises that silenced this critic. To that regard, I apologize to Ezra Miller for thinking his humor would overshadow the character of Barry Allen. He doesn’t always land the gut-busting punch that he’s pulling for because of his awkwardness, but that alone in itself feeds into the youth who is at an awe with the personalities who now surround him, leaving him starstruck. Affleck and Gadot continue to breathe the very essence of their characters, providing a satisfying blend of humanity with a dash of hinted romance to mend their respective aching hearts. Jason Momoa is also outstanding in depicting this new side of Aquaman that I didn’t think was possible. At first, I kind of worried that Momoa would portray this Thor-like musclehead with very little reasoning or logic to his character, but as the film goes on, you start to understand that he offers the most eclectic striking when it comes to the versatility of his offense. I can’t wait till next December to see him reap the benefits of an entire script. My negatives start sadly with Ray Parker as Cyborg. Parker himself isn’t terrible, just what the script has for him is. His very first scene sets the stage for some dramatic pulse of being stuck in a situation that he had no choice over, but the script doesn’t add anything to this. I was waiting for Parker to get a scene of clarity for himself, but he’s sadly ignored as the film goes on, handing in an incomplete that did nothing for the weight of his character. Ciaran Hinds is arguably the worst kind of Warcraft villain that a movie like this can find. Comic book genre films haven’t quite figured out the emphasis on a good villain yet, and Hinds might be the worst to date, equipping Steppenwolf with no proper motive or valued screen time in getting his character across. Again, it’s another villain that a film forgets about for a half hour, and I never felt like we were any less for his absence.
THE VERDICT – If you compare this to Marvel, you’ve missed the point immediately. ‘Justice League’ finds its own original voice of impulse, despite its sometimes rushed script that diminishes the capability of its talented cast. Snyder’s latest chapter adds a much-needed dose of atmospheric humor that relays this being a COMIC book movie first, leaving its colorless drag in the past for good where it belongs. It’s not perfect by any stretch, but the future is finally bright for these heroes in individual efforts, with the possibility that justice might come to all of them with valued patience.