The Amazing Spider Man 2

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6/10

The title doesn’t quite match the result in this sequel to the 2012 original. The Amazing Spider-Man 2 has a lot of things that could possibly make it a great movie, but it’s the negatives that leave it as a disappointment when compared to the first film. First of all, I will say that this is nowhere close to the terrible film that was Sam Raimi’s Spider-Man 3. This is actually a good film. Good not great. Some of the things I really enjoyed about this film were done at the top of their game, and it’s those reasons why I saw the film in the first place, so I didn’t go home too unhappy. The 3D is very well done. This is a film that will be in my top 5 current 3D films of all time. For once, it’s not just a blending in background. It offers a lot of in your face effects with the lightning of Electro coming at you, and the beautiful popping out building shots that are around Spider-Man when he webs across New York City. It is for that reason alone why I will recommend this film before the review is even over. 3D is probably the only way to see this film. I also really enjoyed the beautiful cinematography. If I were in charge of next year’s Oscars, this film would get a nomination in that department for the beautiful colors that radiate off of the fight scenes of Spider-Man and Electro. Colorfully, it can only be matched by Watchmen in the super hero genre, and for those of you who know me, that is a great thing indeed. The chemistry between Andrew Garfield (Spider-Man, Peter Parker) and Emma Stone (Gwen Stacy) is present once again with lots of cute couple dialogue to go with it. These two are together in real life, so it’s no surprise that they know how to play a scene for all of the romantic jitterbugs in the audience. There was even a point when this movie kind of felt like a romantic comedy to me that was taking place in a super hero movie. When grading the acting of Garfield and Stone, the Spider-Man character isn’t even needed. I would enjoy a film with those two without gimmicks. The scenes between Sally Field (Aunt May) and Andrew Garfield are also very heartfelt. Field has always been on e of Hollywood’s most underrated actresses, and she shows that she is definitely the big dog on this set. She brings a feeling to Aunt May in this film that she has worked hard for Peter even when she hasn’t always had help. One of my current favorite actors (Dane Dehann) plays Harry Osbourne. A kid supposedly supposed to be Norman’s best friend from childhood. Dehann plays Harry incredibly with giving him a calm madness hiding just below the surface. He suffers from a lack of love from his father, so he tries to do things bigger and better than he ever did. There are a lot of things I didn’t like about the film, but I will go into them in detail. I loved Jamie Foxx as Electro and felt that he played a character with extreme loneliness very convincing. There are however times where he plays this character a little over the top for a science nerd working as Oscorp. His performance reminded me a lot of Jim Carrey as Edward Nigma in Batman Forever. Instead of breaking ground, he falls for too many of the nerd character clichés that never make him feel even on the same level as Spider-Man. I also felt it was a step back for this film to not include point of view shots like it did in it’s predecessor. Spider-Man is definitely a film franchise that could do revolutionary things with the camera work, and they explored this by letting the crowd see through Spider-Man’s eyes in the first film. Without it here, it just feels like we revert back to the Sam Raimi Spider-Man with nothing new to grow on. I was completely disappointed with how bad they hurt the Rhino character. I know he wasn’t supposed to be a big part of this film, but if I were a fan of that character in the comics, I would be pissed. Paul Giamatti is a great actor, but they give him this awful Russian accent (Yes I know the character is Russian) and he is unintentionally funny every time he pops up on screen. Giamatti and Rhino deserved much better. There were also some scenes that the logic had me laughing. I will try to keep the spoilers to a minimum here, but I need some to tell my point. There is a store scene where Parker is sick and is buying medicine. A robber comes in and tries to steal the money from the register, but is stopped by Spider-Man. If the worker really wanted to, he could look at the camera in the store and see that Parker (While wearing the mask) walks out with the exact same medicine that Parker had in his hands one minute ago. This could easily be fixable with a 1 minute scene where Spider-Man destroys the cameras, but we need to include a cute scene where people laugh because Spider-Man is sick while leaving the store Another scene shows Jamie Foxx becoming Electro while being electrocuted. It shows the gap in his teeth remarkably become fixed. I don’t have a problem with comic book logic, but what point does that have? Is it to make it hard for Peter and Gwen to recognize him? That is another thing that bothers me. Gwen is the one who realizes that Electro is a man named Max who is a scientist in her lab because Spider-Man refers to him as Max during their first encounter. Ya know, because no one else in New York City is named Max. When Electro rises, the logic becomes even funnier. There is a scene where he shuts off all of the cars in New York’s electricity but 50 feet from that everyone is using their cell phones without problems. What kind of electricity drains the cars, but not the cell phones? The friendship between Peter and Harry bothered me as well. We are supposed to believe that these two are childhood friends after not hearing about Harry for an entire first film. I know he left to go to the academy, but this friendship would mean more to the audience if we even heard Harry’s name once during the first film. It feels rushed and convenient that he returns now to add more adversity to Peter Parker. When Raimi wrote the friendship in the first series, it was beautifully constructed between three films before they ever struck fists. In this, it is rushed and never quite given the fight scene it deserves. The movie didn’t suffer as bad from overcrowding as i originally worried, but the final 20 minutes definitely feel rushed with three fight scenes between three different villains. Next, there is a scene where Peter Parker goes to find his Dad’s lost lab which is actually a train underground. Even if you can swallow that nobody found this train on ground radar and even if you can get past the fact that how Peter finds it is a true shot in the dark, you can’t get by the fact that everything in the train is 2014 technology that has no dust or spider webs in the train. It’s like the train has never been touched. I know this is starting to sound like a negative review of the film, but i really did enjoy it. I am trying to show why the film went from a possible 8/10 to a 6/10. The two worst areas of the film i saved for last because it makes me cringe even thinking about it. Sony owns the writes to Spider-Man, but did this movie have to be a big 2 hour and 20 minute commercial for Sony Products? I am not kidding when i say that there are 3, Sony Laptop shots, 3 Sony Cell phone models being used, and a big Sony desktop monitor. Keep in mind, this is all that i caught and that it’s possible that there are more out there. It just feels like a comedic spoof whenever this kind of thing comes on and takes you totally out of the feelings for the movie. The Sony thing is peanuts though compared to the worst musical score/soundtrack i have heard this year. Every pop/folk song like “For You” by Phillip Phillips is used to distinguish some kind of emotion because the director thinks the crowd is too stupid to pick up on emotions for themselves. If Peter is sad, you must play a song with sad lyrics in them. If Peter won’t quit, you must play a song that describes never giving up. Those emotion jams are nothing compared to the score that plays when Electro invades New York City. It’s some kind of awful dubstep song that has a male voice whispering words from Electro’s point of view. Words like “He lied to me”, “He forgot about me”, “SPIDER MAN SPIDER MAN SPIDER MAN” “DIe Spider Man”. It is single handedly the worst music i have heard in film this year. I get that Electro was a cheap reason to use dubstep in your movies because kids are hip to that music today, but it is so ear bleeding that i want to cover my ears even to risk missing plot dialogue. The ending is also kind of unsatisfying. There are technically two of them, and if they would’ve settled for the first one, it would have been awesome. Instead, they add on ten more minutes to film another fight scene that doesn’t even end. Seriously, they begin fighting and the camera goes to black. One will write this off as build up for the 3rd film, but i saw this final shot in the trailers, and when you see that shot in trailers it is supposed to get you psyched up to see the full fight, not wait another 2 years for another film so that we can maybe see the ending to that fight. The Amazing Spider-Man 2 is a decent effort by director Marc Webb (Webb, how cute?) but it is riddled in the kinds of negatives that made the first Spider-Man series feel old by the 3rd film. I really hope they can pick it up for the 3rd movie as the groundwork is set for an amazing confrontation. Lets just hope it stylistically resembles the first film more. The Amazing Spider-Man 2 is recommended because the super hero era is still very big, but challenge yourself to not accept everything you see just because it’s a super hero movie. We don’t have to agree, but i don’t give any movie favoritism just because it’s a genre i enjoy.

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